Wokist Disney, Campus Co-eds, Experimenting (2022) 图画 由 Edwin Loftus

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卖家 Edwin Loftus

美术纸, 8x11 in

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艺术图片银行
  • 原创艺术品 (One Of A Kind) 图画, 粉彩 / 2D数字工作 在纸上
  • 外形尺寸 高度 6in, 宽度 8in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 波普艺术 政治
This is a work of 'reducto ad absurdum' presented as a pseudo artifact of the Disney Corporation in response to their participation in the "Wokeness" campaign, in this case in "normalizing" homosexuality by pushing it on the children their products are designed to appeal to. I have been pro-Gay Rights and social acceptance since the 1960s. This movement [...]
This is a work of 'reducto ad absurdum' presented as a pseudo artifact of the Disney Corporation in response to their participation in the "Wokeness" campaign, in this case in "normalizing" homosexuality by pushing it on the children their products are designed to appeal to.
I have been pro-Gay Rights and social acceptance since the 1960s. This movement is not a gay rights or acceptance movement and I fear its effect will be the opposite to that. Humans want to decide for themselves and make up their own minds. When you force something on them, they may comply to avoid trouble, but their resentment and resistance builds in silence until the day it no longer remains silent. Campaigns like this have a very poor history of success because they eventually build a counter-reaction and independence of thought is reasserted in an atmosphere in which the good and valid arguments are undone in the same rejection that was stimulated by the attempt to use force, intimidation and social/economic pressure.
The Disney Corporation's decision to participate in this is particularly inappropriate. Its reputation was based on being "family friendly" and "trustworthiness." The current management is destroying that reputation by pushing a campaign that is highly controversial, even when the seeming goal is not.
Campaigns designed to indoctrinate children without regard to the wishes or beliefs of their parents are politicians 'en loco parentis', (in the place of parents). Using schools and seductive product marketing, children are being psychologically conditioned to believe as powerful politicians, and social influencers choose for them believe. That is what Disney Co. is doing. It doesn't matter whether the cause they support is good or evil. The way they are going about it is evil.

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DisneyWokeConditioningBrainwashingParental Rights

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Edwin Loftus 是一位出生于 1951 年的美国画家和绘图员。他对艺术的兴趣始于 4 岁,当时他决定画一些真实的东西,而不是从他的想象中工作。. 小时候他擅长绘画,十几岁时他开始尝试油画。在大学里,他修读了艺术和艺术史课程,并意识到真正的艺术与绘画或绘画的质量无关,而必须有突破界限和扩大视觉体验的雄心。. 他还研究了哲学、心理学和历史,并很快意识到这只是另一个试图捍卫其精英行业和奖励制度的艺术机构。他们的技能几乎不存在,他们对心理学、感知或刺激反应一无所知,他们是使共产主义、法西斯主义和其他形式的极权主义在世界上具有如此毁灭性力量的信仰体系的延伸。他们从字面上相信艺术不应该为普通人提供,而只提供给“成熟”到足以理解它的精英。. [...]

Edwin Loftus 是一位出生于 1951 年的美国画家和绘图员。他对艺术的兴趣始于 4 岁,当时他决定画一些真实的东西,而不是从他的想象中工作。

小时候他擅长绘画,十几岁时他开始尝试油画。在大学里,他修读了艺术和艺术史课程,并意识到真正的艺术与绘画或绘画的质量无关,而必须有突破界限和扩大视觉体验的雄心。

他还研究了哲学、心理学和历史,并很快意识到这只是另一个试图捍卫其精英行业和奖励制度的艺术机构。他们的技能几乎不存在,他们对心理学、感知或刺激反应一无所知,他们是使共产主义、法西斯主义和其他形式的极权主义在世界上具有如此毁灭性力量的信仰体系的延伸。他们从字面上相信艺术不应该为普通人提供,而只提供给“成熟”到足以理解它的精英。

Edwin Loftus意识到艺术的皇帝没有衣服,但他们仍然是皇帝。他有艺术天赋,努力学习这项技能。于是他另谋生路,时不时卖掉几件艺术品。六十年来,许多人喜欢他的作品,也有人收藏。

今天,埃德温·洛夫特斯退休了。即使他以他要求的价格卖掉了他所有的画作,“艺术家”将是他做过的最低薪的工作……但事实就是如此。他死后对他来说就无所谓了。他只是希望将来有人会喜欢他所做的足以享受它。

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绘画 标题为“Waiting for the Fir…” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 15.5x19.3 in
US$13,451
绘画 标题为“The Birth of Venus” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 22.8x17.5 in
US$15,557
绘画 标题为“At Dawn” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 15.5x19.5 in
US$3,286
绘画 标题为“The Conversation be…” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 15.5x19.3 in
US$6,327

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