Melancholia in the Future (2016) 图画 由 Edwin Loftus

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卖家 Edwin Loftus

美术纸, 12x8 in

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A symbolically nude young female languishes in depression in the future world. Depression, acute or chronic, is a product of the complex nature of the biology of, at least, 'higher order', animals. We have found ways of counteracting its symptoms but are still far from a cure or prevention and it is realistic to anticipate that one hundred years and [...]
A symbolically nude young female languishes in depression in the future world. Depression, acute or chronic, is a product of the complex nature of the biology of, at least, 'higher order', animals. We have found ways of counteracting its symptoms but are still far from a cure or prevention and it is realistic to anticipate that one hundred years and one thousand years from now, people will still suffer from it.
In part this is because the acute, reactive form of depression, is part of our natural survival systems, a slowing down in response to major changes that induces us to reflect on new elements in our lives and make adjustments in our understanding of how to proceed in the future.
Beginning in the womb, we begin to formulate theories about what is happening to and around us, a hypothesis that provides us with a basis for gauging our responses and evaluating our chances of manipulating events and their effects in the future.
This is a mechanical process consisting of the exchanges of chemical and electrical impulses in and between our neuron receptor sites and possibly involving the glial cells between them. Our neurons grow new receptors and arrange the chains of molecules that appear to act as conduits directing the flow of free electrons in the neurons. Our "perceptions" are the ever-developing dominant themes in our physical responses to stimuli external to our processing mechanism, (the brain), and we are the ongoing process of stimuli, to signaling, to a processing between neurons and regions of the brain, to signaling of response and feedback in the form of new external stimuli. What we perceive as reality, is the process of fitting signals in the form of single molecules and single electrons into the patterns we have formulated and think best fits them as reinforced by ongoing perception and response.
Subjectively, reality to each of us is what each of us perceives it to be. But that does not say, as many post-Positivist theories would hold, that "perception is reality." Perceptions suggest that there is an objective reality, unaffected by perception, (the falling tree making a sound when no one can hear it). Schrodinger's cat is either alive or dead, we just don't know which. Not, because we don't know which, it exists in a state of potentiality of being both alive and dead. Our inability to know does not affect its nature of being, Kant's theoretical noumena versus phenomena.
None of that helps, if you are depressed. If so, and it doesn't fade fast enough for you, try home remedies, make changes in your life, and then seek medical help for a physical malfunction.

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Edwin Loftus 是一位出生于 1951 年的美国画家和绘图员。他对艺术的兴趣始于 4 岁,当时他决定画一些真实的东西,而不是从他的想象中工作。. 小时候他擅长绘画,十几岁时他开始尝试油画。在大学里,他修读了艺术和艺术史课程,并意识到真正的艺术与绘画或绘画的质量无关,而必须有突破界限和扩大视觉体验的雄心。. 他还研究了哲学、心理学和历史,并很快意识到这只是另一个试图捍卫其精英行业和奖励制度的艺术机构。他们的技能几乎不存在,他们对心理学、感知或刺激反应一无所知,他们是使共产主义、法西斯主义和其他形式的极权主义在世界上具有如此毁灭性力量的信仰体系的延伸。他们从字面上相信艺术不应该为普通人提供,而只提供给“成熟”到足以理解它的精英。. [...]

Edwin Loftus 是一位出生于 1951 年的美国画家和绘图员。他对艺术的兴趣始于 4 岁,当时他决定画一些真实的东西,而不是从他的想象中工作。

小时候他擅长绘画,十几岁时他开始尝试油画。在大学里,他修读了艺术和艺术史课程,并意识到真正的艺术与绘画或绘画的质量无关,而必须有突破界限和扩大视觉体验的雄心。

他还研究了哲学、心理学和历史,并很快意识到这只是另一个试图捍卫其精英行业和奖励制度的艺术机构。他们的技能几乎不存在,他们对心理学、感知或刺激反应一无所知,他们是使共产主义、法西斯主义和其他形式的极权主义在世界上具有如此毁灭性力量的信仰体系的延伸。他们从字面上相信艺术不应该为普通人提供,而只提供给“成熟”到足以理解它的精英。

Edwin Loftus意识到艺术的皇帝没有衣服,但他们仍然是皇帝。他有艺术天赋,努力学习这项技能。于是他另谋生路,时不时卖掉几件艺术品。六十年来,许多人喜欢他的作品,也有人收藏。

今天,埃德温·洛夫特斯退休了。即使他以他要求的价格卖掉了他所有的画作,“艺术家”将是他做过的最低薪的工作……但事实就是如此。他死后对他来说就无所谓了。他只是希望将来有人会喜欢他所做的足以享受它。

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绘画 标题为“The Conversation be…” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 15.5x19.3 in
US$6,327
绘画 标题为“Waiting for the Fir…” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 15.5x19.3 in
US$13,451
绘画 标题为“At Dawn” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 15.5x19.5 in
US$3,286
绘画 标题为“The Birth of Venus” 由Edwin Loftus, 原创艺术品, 油
油在合成面板上 | 22.8x17.5 in
US$15,557

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