GLOSTER/NEFTLİ BATTAL 手工艺品 由 Nihan Büyüksezer

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  • 原创艺术品 手工艺品,
  • 外形尺寸 高度 13.4in, 宽度 19.3in
NEFTLİ BATTAL olarak uyguladığımız desen Gloster olarak da biliniyor. Gloster (Alternative pattern names: Gloucester, Partidge's Eye, Oeil de Perdrix, Stein Marmor mit Grießtropfen) Wolfe: Although Wolfe does provide an example of this pattern he only acknowledges where the example was made (Gloucester) rather than suggesting this[...]
NEFTLİ BATTAL olarak uyguladığımız desen Gloster olarak da biliniyor.
Gloster (Alternative pattern names: Gloucester, Partidge's Eye, Oeil de Perdrix, Stein Marmor mit Grießtropfen)
Wolfe: Although Wolfe does provide an example of this pattern he only acknowledges where the example was made (Gloucester) rather than suggesting this is the name of the pattern itself.
Muira: Gloster
This pattern is similar to and often mistaken for a Stormont pattern. Both of these patterns employ the use of a dispersant such as turpentine to cause their distinctive white (open) spots. The difference is that the Stormont pattern, overall, appears to be more like a Turkish pattern in that the ink has been mixed with the dispersant to cover the entire surface, whereas the Gloster looks more like a Zebra pattern where the dispersant has only been mixed with a single color, making the spots distinctive from the other colors used. The pattern is created by starting with a Turkish base, then a comb with one set of teeth is drawn across the bath twice vertically (or horizontally), once in either direction with the second pass halving the first. Then one or more colors of ink mixed with a dispersant are sprinkled onto the bath, causing those last spots to have open, very fine spots inside them
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I'm a master teacher ,working traditional marbling on paper and fabric.I also make works of art using lots of scraps of paper torn out of my special marbled papers. With this technique I create figures, landscapes[...]

I'm a master teacher ,working traditional marbling on paper and fabric.I also make works of art using lots of scraps of paper torn out of my special marbled papers. With this technique I create figures, landscapes full of emotion, simplicity and joy.

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