Unknown Jamaican Parrot - after the only known description.. (2021) 绘画 由 Douglas Black
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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| 1500 px | ||
|
1168 px |
| 文件尺寸 (px) | 1500x1168 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
-
外形尺寸
18x22 in
单独工作的尺寸，不带框架： 高度 16in, 宽度 20in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷
- 分类 画作 低于US$5,000 古典主义 鸟
This beautiful parrot escaped the attention of early ornithologists and therefore has no name. It is known solely from the rendering created by celebrated 18th century naturalist, painter, and book producer George Edwards. In his own words, an inscription on the painting reads;
"This bird was lent to me by Dr. Alexander Russel and is preserved in his collection. It was shot in Jamaica and brought Dryed to England."
Like many birds of islands in the Far East and West Indies, it probably met its demise at the introduction of ship rats from European sailing vessels, having never seen such a voracious for and destroyer of eggs. But we shall never know.
The artist has depicted the regal looking Polly as an inspiration to Calico Jack's bird in Stevenson's TREASURE ISLAND, a book seen under the claw. The globe shows the world as the 17th century may have known.
Framed in a vintage Doric frame, rounded nicely and finished in a rose gold which compliments the feathers well.
相关主题
I paint in oils, have since I was twelve, nearly fifty years ago. My output has ebbed and flowed over the decades, as have my interests changed to and from landscapes and abstractions, portraiture and flowers. Animals have grabbed my attention since the beginning of the pandemic, birds in particular, because their beauty in both color and shape exist in innocence; they know not how lovely they are.
Douglas Black (1961 – ), painter, born in Glasgow, this artist spent most of his early life in Detroit where his formal education was in architecture. He studied watercolor rendering technique under acclaimed artist Roy Strickfaden, and oils and gauche under the modernist Harold Linton.
Currently living in Chicago, Douglas has a neo-classical style of oil on canvas, as well as pen and ink illustrations for historical fiction author Duke Pierce Reade.
His signature is simply Douglas along with the hyphenated two digit year of production. Douglas’s paintings are valued in the hundreds to low-thousands and are held in several private collections.
Shows have included community art fairs, gallery inclusions, and special events hosted in mansions and medieval styled halls.
