5 - Te quiero (2012) 数字艺术 由 Atelier- Galerie Delma Godoy Godoy

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这件艺术品出现在5集
  • 原创艺术品 数字艺术,
  • 外形尺寸 尺寸可根据要求提供
  • 分类 形象艺术
关于这件艺术品: 分类, 技术技巧 & 款式 形象艺术 具象色彩的绘画自由地包括了各种形式的艺术,而没有文化体裁和地理起源的边界,在高级文化与亚文化之间没有等级的价值。

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I live and work in Saint Malo - France  In my first exhibition at O3 Gallery, Rio de Janeiro (1984), I began my career in the survey forms and materials within the technique of contemporary ceramics.  I[...]

I live and work in Saint Malo - France 

In my first exhibition at O3 Gallery, Rio de Janeiro (1984), I began my career in the survey forms and materials within the technique of contemporary ceramics. 

I lived in Paris in 1986, where I exhibited at the Gallery Cath'Art and specializes in technical of Thermoformage glass. 

In 1991 , I participated in the exhibition "13 Designers' Gallery in Zone D, São Paulo, along with the exponents generation of Brazilian designers.

For 10 years, my sculpture is associated with the utility design, participating in the Contemporary Ceramics Movement in Brazil in numerous exhibitions.

In 1995 , after studying with Angel Garraza, a famous Spanish ceramist, I deepened the survey of more than 50 types of minerals and clays collected in various regions of Brazil, whose results are Refractory Land, with unprecedented colors and textures, which gave to my work a unique signature within the ceramic sculpture. 

The exhibitions - "Landscapes of Gaia" (1996) in Toki Gallery in São Paulo and “Movements" (1998) in the Gallery Laura Alvin in Rio de Janeiro, were selected by the Brazilian Association of Art Critics as one of the Top 10 on these years.

I also participated as a guest artist in exhibitions that brought definitely contemporary ceramics to new heights in Brazilian Visual Arts

In 2000 , I started a partnership with Marco 500 - Design in São Paulo, where strings produced sculptures in polyester resin, where the result of their concerns before the materiality. For five years, my sculptures were produced on an industrial scale, being sold in all states of Brazil, and winning two exhibitions annually in the Museum of Brazilian House, in São Paulo. 

Since 2006 , my sculptures in Refractory Land began to be exposed in International Contemporary Art Fair, Art Books and Galleries.

In 2008, allied with software technology to my research, creating digital printmaking, where a figurative language brought a new form of artistic expression to my career, being exhibited in New York, Paris, Lisbon, Madrid , Berlin and London.

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