Relieve en madera artista israeli Mirit Ben-Nun (2007) 雕塑 由 Mirit Ben-Nun

卖家 Mirit Ben-Nun

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艺术家签名的艺术品
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  • 原创艺术品 (One Of A Kind) 雕塑,
  • 外形尺寸 高度 39.4in, 宽度 27.6in
  • 是否含画框 此作品未装裱
  • 适合户外? 没有, 这件艺术品不能在户外展示
  • 分类 抽象主义
Es un culto que digiere en sus entrañas cualquier objeto - útil o descartado, disponible y rutinario o raro y fuera de lo común - Mirit Ben Nun recoge desperdicios de la calle – cilindros de cartón de textiles, tablillas otrozos de madera, platos, tablas, etc. - y les crea un contexto nuevo, una sintaxis propia de la cual ella es la única responsable. [...]
Es un culto que digiere en sus entrañas cualquier objeto - útil o descartado, disponible y rutinario o raro y fuera de lo común - Mirit Ben Nun recoge desperdicios de la calle – cilindros de cartón de textiles, tablillas otrozos de madera, platos, tablas, etc. - y les crea un contexto nuevo, una sintaxis propia de la cual ella es la única responsable. La nueva conjunción - un cierto tipo de
construcción escultórica – pasa un proceso de fusión por medio del acto de pintar.

Tali Tamir

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She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background. [...]

She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.

This is also the moment when Ben-Nun began to refer to herself as a painter.

and when art became the center of her life.

The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.

Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.

It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.

Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.

Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.

 

Mirela Tal 

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图画 标题为“Israeli contemporar…” 由Mirit Ben-Nun, 原创艺术品, 墨
墨在纸上 | 13.8x9.8 in
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绘画 标题为“Mother, Mirit Ben-N…” 由Mirit Ben-Nun, 原创艺术品, 丙烯
丙烯在帆布上 | 27.6x27.6 in
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雕塑 标题为“Primitive outsider…” 由Mirit Ben-Nun, 原创艺术品, 木
雕塑 - 木 | 35.4x11.8 in
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绘画 标题为“Woman Israeli leade…” 由Mirit Ben-Nun, 原创艺术品, 丙烯
丙烯在帆布上 | 35.4x35.4 in
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