Artista outsider israeli latina relieve madera (2006) Sculptuur door Mirit Ben-Nun

Verkocht door Mirit Ben-Nun

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Verkocht door Mirit Ben-Nun

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Verkocht door Mirit Ben-Nun

Eén werk
Kunstwerk ondertekend door de kunstenaar
Certificaat van echtheid inbegrepen
  • Origineel Kunstwerk (One Of A Kind) Sculptuur, Hout op Hout
  • Dimensies Hoogte 39,4in, Breedte 27,6in
  • Framing Dit kunstwerk is niet ingelijst
  • Geschikt voor buiten? Nee, Dit kunstwerk kan niet buiten worden getoond
  • Categorieën Abstracte
Con una determinación que alcanza la obsesión, Mirit Ben-Nun regresa a su arte de meticulosa decoración. Una fuerte presencia de primitiva ornamentación provee el material gráfico con una faceta tribal por un lado y un toque femenino por el otro, abarcando trama, cuentas enhebradas y textura combinadas. La urgente necesidad de belleza de Ben-Nun contiene[...]
Con una determinación que alcanza la obsesión, Mirit Ben-Nun regresa a su arte de meticulosa decoración. Una fuerte presencia de primitiva ornamentación provee el material gráfico con una faceta tribal por un lado y un toque femenino por el otro, abarcando trama, cuentas enhebradas y textura combinadas. La urgente necesidad de belleza de Ben-Nun contiene un estrato arquetípico que en ciertas ocasiones es mítico y le da fuerza y poder a su auténtica expresión.
Dr. Gedeón Ofrat

Verwante thema's

RelieveMaderaAcrilicoPintoresPintora

Automatisch vertaald
Volgen
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and[...]

She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.

This is also the moment when Ben-Nun began to refer to herself as a painter.

and when art became the center of her life.

The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.

Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.

It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.

Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.

Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.

 

Mirela Tal 

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