Manos dibujo artistico multicolor desde Israel (2016) Disegno da Mirit Ben-Nun

Venduto da Mirit Ben-Nun

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Venduto da Mirit Ben-Nun

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Venduto da Mirit Ben-Nun

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Opera firmata dall'artista
Certificato di autenticità incluso
  • Opera d'arte originale (One Of A Kind) Disegno, Inchiostro / Pennarello / Matita su Carta
  • Dimensioni Altezza 13,8in, Larghezza 9,8in
  • Incorniciatura Questa opera d'arte non è incorniciata
  • Categorie Astratta
Mirit Ben-Nun usa las líneas y los puntos como un recurso expresivo y lo hace explotando al máximo sus matices y asociaciones. Algunas formas siguen una misma dirección y otras la cambian constantemente, hasta con urgencia. Su lenguaje es visual e independiente de su expresividad, reside en el valor y la organización de sus elementos. Las cosas del[...]
Mirit Ben-Nun usa las líneas y los puntos como un recurso expresivo y lo hace explotando al máximo sus matices y asociaciones. Algunas formas siguen una misma dirección y otras la cambian constantemente, hasta con urgencia. Su lenguaje es visual e independiente de su expresividad, reside en el valor y la organización de sus elementos. Las cosas del mundo visible carecen de importancia, lo valedero es el logro de reproducción del mundo interior y la naturaleza humana. Fomenta constantemente la creatividad. En este caso el puntillismo transmite emociones por el efecto que logra usando color, puntos, líneas y así captura la atención del observador.

Dora Woda

Temi correlati

MujerModernaIsraelJudiaPintora

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She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and[...]

She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.

This is also the moment when Ben-Nun began to refer to herself as a painter.

and when art became the center of her life.

The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.

Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.

It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.

Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.

Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.

 

Mirela Tal 

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