Dissociation (2017) 数字艺术 由 Dazeskin

数字艺术, 31.5x31.5 in
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“i saw my life branching out before me like the green fig tree in the story. from the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. one fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was ee gee, the amazing editor, and[...]
“i saw my life branching out before me like the green fig tree in the story. from the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. one fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was ee gee, the amazing editor, and another fig was europe and africa and south america, and another fig was constantin and socrates and attila and a pack of other lovers with queer names and offbeat professions, and another fig was an olympic lady crew champion, and beyond and above these figs were many more figs i couldn't quite make out. i saw myself sitting in the crotch of this fig tree, starving to death, just because i couldn't make up my mind which of the figs i would choose. i wanted each and every one of them, but choosing one meant losing all the rest, and, as i sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

The Bell Jar, Sylvia Plath

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FigtreeBelljarSylviaplathFigFigs

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形象艺术 figtree belljar sylviaplath fig figs story book narrative purple wrinkle women nakedwomen womentree figurativeart
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Dazeskin
土耳其
Deniz Sak is a Multidisciplinary Artist, Designer and Storyteller from İstanbul, Turkey. She took part in several exhibitions as an artist and a designer, including MAXXI Rome, Triennale di Milano, Fabbrica[...]

Deniz Sak is a Multidisciplinary Artist, Designer and Storyteller from İstanbul, Turkey.

She took part in several exhibitions as an artist and a designer, including MAXXI Rome, Triennale di Milano, Fabbrica del Vapore and Milano Design Week ‘12 and ‘13, Ionion Aquarium and Ionion Center for the Arts and Culture, both solo and in groups.

Her had been practicing art over 10 years, in various mediums; Video Art, Short Film, Photography, Mixed Media, Painting and Illustration.

FLUX, her recent Video Art & Short Films collection, is an ongoing research on constant change and balance, through the narrative of elements.

FLUX: Water (2022), the first chapter, a series of Video Art works, aims to point out the continuous loop of moving inward and outward, washing away the duality of "inside" and "outside", encouraging to find a common ground to be the observer and the observee concurrently.

FLUX: On The Road (2023), her latest Short Film project, a story of Attachment and Detachment, a continuous loop of encounters beyond timelines and lifespans; and the demolition of the duality of being “me” and “you”: There is only being part of a whole. Being one.

 

She had been traveling, filming and engaging with people on the road, from different cultures and landscapes, listening to their stories and studying mainly two concepts: Attachment & Detachment and Change & Balance.

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