Sun Above, Cloud Below (2021) Peinture par David Tracey

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On a brilliant summers day, the air warm and the sky bright, the sun commands the scene with rays of light so strong you can't really look. The clouds below are lit strongly from above and slowly dissolve in the heat. All the way to the horizon, clouds drift and melt. A lovely large acrylic painting of a hot sun in a summer sky, portrait[...]
On a brilliant summers day, the air warm and the sky bright, the sun commands the scene with rays of light so strong you can't really look. The clouds below are lit strongly from above and slowly dissolve in the heat. All the way to the horizon, clouds drift and melt.
A lovely large acrylic painting of a hot sun in a summer sky, portrait aspect, showing soft cloud forms and bright rays of sunlight. 1140x1580mm, acrylic on canvas on a solid framed stretcher. Perfect for a more narrow wall; it will bring vibrant colour and space to your room.

Thèmes connexes

SunSkyCloudsSkyscapeSummer

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I am an artist based in Sydney, Australia. I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

I am an artist based in Sydney, Australia.

I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

For many years I worked as a scenic artist creating sets and backdrops for film and television, painting very large images in film studios. It was high pressure and short deadlines but what a great time!

With the advent of computer graphics, I moved on to creating realistic animated content commercially, again specializing in environments and surface textures. But I have come back to painting, still the most satisfying medium. Portraits now, and skyscapes too, sometimes together on the same canvas. I work in oil and acrylic, painting our modern world; both so rich and beautiful.

I learnt so much from the modern disciplines (film work, computer graphics, photography) and found it all is relevant when painting. I use these modern elements to lift the image, to meet the expectations of the modern eye. Even flares, artifacts, and scattering all work beautifully in oil to create a visually satisfying piece that is still clearly handmade, wrought by human creativity.

The artists I admire are Elizabeth Vigee Le Brun, William Bouguereau, and Marcel Marlier; masters in the realistic style and technique they used in creating such believable skin tones.

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