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Synesthesia of smell (detergent) (2019) 绘画 由 Daria Borshch (Idolly)
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

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纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 9.8in, 宽度 9.8in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$500 抽象主义
So through the smells and how I smell them, I show the history of each.
Three years ago I first discovered synesthesia, that I can smell something, close my eyes and see the colourful auras that I paint. I only paint scents, the ones that are closest to me
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My creative journey
I was born in Siberia. Since I was a little girl I liked to paint and invent different characters. When I was seven, my mother sent me to art school. Painting, drawing, illustration and art history were taught, but the teaching methods were mean templates, and students' self-expression was suppressed in favor of the same program for everyone. As a participant in a painting competition, I went abroad for the first time, to Bulgaria, where I discovered the existence of alternative art. It was a turning point: in time I realized that I would not be able to develop my artistic abilities in Russia. I started looking for opportunities to study in Europe. In 2014 I moved to the Czech Republic, where I received my Master's degree from the University of West Bohemia in 2021.
At the university I realized that when I paint people I use a lot of details, I try to capture the atmosphere of the painting and the person is unnecessary there, but remains the central character for the viewer. So for the first time, in my bachelor's thesis on Generation Y, I painted a person without a face, without gender, without colour. In the scenes depicted in the painting, everyone can find themselves.
After my son was born, my sense of smell intensified. Everyone told me that baby smell was the most pleasant smell in the world and that I had to inhale it. So I breathed in his top and found that I could see colorful auras, which turned out to be a synesthesia scent. So I drew a series of pictures of the smells during the pandemic.But they were small square abstractions, and I couldn't shake the idea of combining the smells of my surroundings into one image.That's how my four paintings (the grotesque as a mirror of reality) came about.
What do I want to express with my work?
I consider art to be a deeply personal act: the artist must experience what he paints in order to charge the paintings with his own energy. So everyone, without reading the description of the painting, feels a special relationship to it.
I have lived all my life in big cities where contact with nature is quite common. In my paintings, the viewer is not confronted with literal nature, nor with landscapes, not even with the conditioned, but with an abstract background - which expresses feelings, my inner perception of external nature.