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21 x 30_VEGETAL 51 (2022) 印花与版画 由 Cornelia Tersanszki
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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1062 px | ||
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1500 px |
文件尺寸 (px) | 1062x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
印花与版画,
光绘摄影
在纸上
- 外形尺寸 高度 11.8in, 宽度 8.3in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 版画 低于US$1,000 形象艺术 性质
This original item is sold mounted on an ivoire, white, or dark blue passepartout.
I found cyanotype unexpectedly (my main technique for many years was - and still is - glass reversed painting).
In fact I can say that cyanotype found me and it was love at first sight.
This magical technique of working with plants, with the sun, wind and water, with all that elements that are ephemeral and eternal in the same time, fascinated me and made me introduce cyanotype in my current artistic practice.
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I live and work in Bistrita, Romania, I am a self tought artist and you are now visiting my official website.
In my art practice I mainly use two very special techniques: the ancient technique of reverse glass painting and cyanotype, the alternative photography.
I love glass because it has its own life, and, in a subtle way, it takes you inside the old time lores. The metal leaf, the ink and the oil colours, mixed up with bronze, complete the sense of time, past and present together, as if each work opens a secret gate to another life...
When painting on the back of the glass, the first element painted is the first seen on the other side. In the begining I normally make a drawing on paper. I need the drawing to support my imagination, but, when drawing, I “see” all the picture I am going to paint, from the beginning to the end. Of course things may change during the process (they often do), but the general feeling, the emotion that inspired me, remains.
My glass works have bee exhibited in galleries and art fairs, both in Romania (Bucharest, Iasi, Cluj-Napoca, Brasov, Bistrita) and abroad (UK, US, India, Qatar, Itally, Portugal, Germany,, etc). Some of my glass works are part of private collections all over the world.
Recently I've discovered another fascinating technique: cyanotype.
I found cyanotype unexpectedly. In fact I can say that cyanotype found me, and it was love at first sight.
This magical technique of working with plants, with the sun, wind, and water, with all that elements that are ephemeral and eternal in the same time, fascinated me and made me introduce cyanotype in my current artistic practice.
Invented in 1842 by Sir John Herschel, cyanotype is a specific process that requires a natural material, commonly fabric or paper, to be coated in photosensitive solution – usually a combination of ferric ammonium citrate and potassium ferricyanide. This results in blue mono-tonal reproductions of the photographic negative, commonly called a blueprint.
The cyanotype originated as a popular form of photographic reproduction due to its inexpensiveness and accuracy, making it useful for architectural and scientific purposes
Anna Atkins was the first to experiment cyanotype for other purposes. She created a series of cyanotype limited-edition books that documented ferns and other plant life from her extensive seaweed collection, placing specimens directly onto coated paper and allowing the action of light to create a silhouette effect. By using this photogram process, Anna Atkins is sometimes considered the first female photographer.
I do hope you will enjoy my art!