Cavity Nest (2024) 绘画 由 Cimpoesu Alessandro
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艺术图片银行L'opera si apre in un'esplosione di colori caldi, ma spezzati. In alcuni punti sembrerebbero essere trascinati via dal vento, o l'aria creata dell'esplosione stessa.
La composizione comprende una geometria principale che compone quasi una specie di tronco, al quale all'interno risiede un cuore.
Il cuore, quasi va ad abbracciare lo spettatore.
Personalmente interpreto quel cuore come un nido all'interno del tronco.
Con questa composizione voglio esprimere l'importanza che ha lo studio. Nei momenti più difficili, dove tutto sembra impossibile e che nulla ha senso, lo studio permette di ritrovare la propria via, di ritrovare se stessi.
Personalmente trovo molta sicurezza nello studio. Applicare le nozioni acquisite consente di svoltare completamente la propria vita e di essere la versione migliore di se stessi, che a volte si fa fatica anche ad immaginare.
相关主题
I have always felt a very strong need to find a way to express myself. Always being misunderstood in words, I looked for alternative methods. Initially through music, with the guitar and writing small poems to use as lyrics. Later, thanks to a dear friend, I got closer to the world of hip hop and writing. I absorbed an attitude and a way of doing things; which materialized very strongly the moment I started playing with turntables. In particular, learning scratch techniques under the teaching of a master. At the same time I also learned methods of sample sampling, to build my music from start to finish, joining guitar, scratch and poetry. However, the moment I opened up to people with music, the misunderstanding and misunderstanding remained unchanged. I needed a way that was more like me, more instinctive and direct. By pure feeling I started painting on scrap cardboard. For the first time what I felt was expressed and interpreted in the clearest and most sincere way possible. Then I realized that visual art was part of me and started researching my own method. Examining stories, interviews and opinions of numerous artists. Trying different materials, from acrylic to oil, and then moving on to putty or anything even more unusual. Slowly I found some materials that are very close to my way of being. I am developing a mixed technique that includes clay, universal dye, vinyl glue and water as a base, and then adding other materials if necessary to the creation of the piece, to the expression of the message. The water and glue combined create a viscous liquid very similar to phlegm, a substance with which unfortunately, due to my accentuated psychosomatic condition, I have a lot to do. This viscosity and its transparency, allow the control of the universal dye. The latter, literally gives life to the whole by coloring and constantly changing itself even in the continuation of hours, both in the color itself and in the form. It offers the ability to build shades with very bright and deep colors. Clay recalls the earth, nature. It offers an interpretation of my movement, of my input. The whole is based on the most direct possible expression of emotion combined with an accurate construction of the geometry, shape and nuance of color. Through my paintings I want to bring a message of listening to yourself and your body. I find it essential to approach personal growth in the most effective way and to be successful in research and in achieving one's goals.
