Battima (2025) 拼贴 由 Chiara De Zan

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卖家 Chiara De Zan

美术纸, 11x8 in

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艺术图片银行
Chiara presents a work that stands out for its material sensitivity and refined chromatic balance. Through the use of overlapping fabrics and fragments of materials of various consistencies, the artist builds a composition that challenges the two-dimensionality of the canvas, creating a sort of visual bas-relief. The predominant shades—gray, white [...]
Chiara presents a work that stands out for its material sensitivity and refined chromatic balance. Through the use of overlapping fabrics and fragments of materials of various consistencies, the artist builds a composition that challenges the two-dimensionality of the canvas, creating a sort of visual bas-relief. The predominant shades—gray, white and blue—evoke a sense of introspection and tranquility, while the small red element at the bottom left introduces a note of visual tension, a breaking point in the chromatic quiet.

The arrangement of the materials is not random but seems to follow an internal, almost musical rhythm, where each segment dialogues with the others in a well-orchestrated choreography. The use of frayed fabrics and irregular edges accentuates the tactile dimension of the work, making it almost sculptural. In this sense, the artist seems to want to explore the boundary between painting and installation, between order and spontaneity.

The work does not impose a defined narrative, but rather invites the viewer to reflect on matter, time and imperfection as an element of beauty. It is a visual research that welcomes the unfinished as an integral part of aesthetics, leaving room for individual interpretation and subjective emotion.

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Mixed MediaCollageArtItaliaFine Art

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Chiara De Zan (1987, Friuli Venezia Giulia) began her artistic journey in 2009, developing a research that crosses collage, painting, photography and digital arts with a material and poetic approach. Her practice [...]

Chiara De Zan (1987, Friuli Venezia Giulia) began her artistic journey in 2009, developing a research that crosses collage, painting, photography and digital arts with a material and poetic approach. Her practice is based on the use of marginal and waste materials — worn paper, damaged fabrics, natural pigments — recomposed in compositions that investigate memory, the body, fragility and the territory.
Since 2018 she has participated in group and solo exhibitions, collaborations and interdisciplinary projects, proposing works in which the analogical gesture dialogues with sensorial perception, returning narratives full of silence, waiting and transformation.
Among her most significant works are Giallo Pigro, Cavalco la Maladia, Nonno Santo and Madame Snips, works in which the tactile, visual and digital dimensions merge to tell stories of resistance and hidden beauty.
Lives and works in Italy. Instagram: cdz.an

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拼贴 标题为“Il Passato” 由Chiara De Zan, 原创艺术品, 拼贴
拼贴在帆布上 | 31.1x41.3 in
不出售
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拼贴 标题为“Times” 由Chiara De Zan, 原创艺术品, 拼贴
拼贴在帆布上 | 31.1x41.3 in
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绘画 标题为“Monotonia” 由Chiara De Zan, 原创艺术品, 拼贴
拼贴在帆布上 | 31.1x41.3 in
不出售
打印 US$28.94
拼贴 标题为“a stento” 由Chiara De Zan, 原创艺术品, 丙烯
拼贴在纸板上 | 22.4x23.6 in
已卖出
打印 US$28.94

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