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Mundane Conditioning (2020) 绘画 由 Charles Riley
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
/
丙烯
在帆布上
- 外形尺寸 高度 34in, 宽度 26in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 表现主义
Sometimes, it takes something like a pandemic to remind us of what little control we really have. This realization of a lack of control can be quite unsettling for people accustomed to comfort from cradle to hospice eased death and even a comfy coffin to settle into the afterlife.
The suggestion of a figure in a pose similar to a crucifixion is built with thick layers of grey green acrylic mixed with marble dust and gravel. Twine is embedded like a tangled web. Flesh-like pieces are enmeshed in the twine and there are brown decay denoted spots. A large brown snake of acrylic encases the skull.
There is a broken black line beneath the outstretched arms. This seemed appropriate not only as a device to bring attention to the outstretched arms and sense of drama, but to suggest the Eastern cultural symbol of the broken line of an I Ching trigram, the appropriate symbol I had in mind was the trigram for consciousness as well as fire. The broken line is in the center of two solid lines. In this position, the broken line is meant to suggest mundane conditioning which causes imbalance in the consciousness and an impediment to realization of the unconditioned creativity of the universe. When the broken line is replaced by a solid line, the trigram of three solid lines denotes the creative or balance in the consciousness. The creative trigram also denotes an open awareness of uncontrived fluid response to reality.
It’s 1937 all over again, China, a totalitarian regime, is threatening its neighbors with the same fate as Tibet. Further abroad by financial blackmail and well planted propaganda keeps corporations in line and apologetic governments. The first thing a totalitarian regime does is destroy the culture, as witnessed in Tibet and earlier in China itself. Skillful manipulation of the truth is wielded as in the cover up of numerous human rights violations such as: recent pandemic origins; the reeducation camps (better referred to as brainwashing and slave labor camps) for Muslims, other religious minorities and people with opinions of their own; the harvesting of organs from political prisoners; and on and on as the world goes blithely about its business.
History is rewritten to suit a narrative of a benevolent Big Brother, if I might borrow from George Orwell’s prophetic book, 1984. Mass surveillance, and repressive regimentation of all persons and behaviors are the tools employed to suit the needs of the Party elite. The strings of the Party are strings that left unchallenged destroy the soul of mankind.
相关主题
我一直在艺术创作所有我的生活,因为我的姑姑金妮,一个艺术家,教我作为一个孩子在1950年的艺术。出席哥伦比亚大学在教学工作室艺术学院的研究生工作。我现在有一个家庭,我继续我的艺术工作,在纽约,里约热内卢,和华盛顿访问的艺术品,广泛深入读,写,教太极拳,和实践作为第一丹合气道。
我的作品,旨在提高我们的个人和社区发展中的顿悟。这项工作,试图找到一种技术的机制,性质,它是人类之间的平衡。在来自哥伦比亚大学的终生激烈的各色人物和不寻常的和多样化的circumstanges的的研究工作室艺术学院教学的博士学位,我努力从东方和西方文化相结合,在文学和视觉的宝藏,非常人性化的体验。
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国籍:
美国
- 出生日期 : 1949
- 艺术领域: 具有认证艺术家价值的艺术家的作品,
- 团体: 认证的艺术家 美国当代艺术家