Should I Fall From Grace - Limited edition giclée print (2024) 绘画 由 Carl White

数字打印在纸上, 39.4x29.5 in
US$1,093.36
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Carl’s “Classical Irreverence” collection blends the elegance of classical art with modern subversion. Drawing from traditional forms and motifs, this work reimagines them through contemporary sensibilities, mixing high art with element of popular culture and satire. this is an exciting opportunity to own a collectors edition print of this fabulous [...]
Carl’s “Classical Irreverence” collection blends the elegance of classical art with modern subversion. Drawing from traditional forms and motifs, this work reimagines them through contemporary sensibilities, mixing high art with element of popular culture and satire.
this is an exciting opportunity to own a collectors edition print of this fabulous artwork.

Each print arrives embossed in the 2,5 cm border with the artist’s signature and a certificate of authenticity issued by La Galerie Contemporaine.

Available in 2 sizes:
100 cm x 75 cm (original size) - 25 editions
70 cm x 52 cm - 25 editions (contact to purchase)

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Classic StreetLimited Edition StreetCarl WhiteContemporaryLimited Edition Prints

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艺术家表示La Galerie Contemporaine
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Carl White was born in Liverpool, England in 1969.He Studied at the Alberta College of Art & Design from 1989-1992 in Calgary, Alberta. His paintings and drawings have been featured in many solo and group exhibitions [...]

Carl White was born in Liverpool, England in 1969.He Studied at the Alberta College of Art & Design from 1989-1992 in Calgary, Alberta. His paintings and drawings have been featured in many solo and group exhibitions across Canada since 1992 and reside in numerous private collections nationally and internationally. White currently lives and works in Calgary, Alberta where he divides his time between teaching and studio work.

Artist Statement:

In the way that a poet would seek to understand language with the goal of approaching the sublime, I have tried to understand painting with  similar purpose. The ability to move beyond the literal towards a truth. The tools of a painter are akin to that of a poet, words and their placement, language and its rhythm. I am painting poems, images that dance between realism and abstraction, text and flesh, with the hope that the viewer experiences rather than views

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