creation Myth#52 (2009) 拼贴 由 C Avery

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  • 原创艺术品 拼贴,
  • 外形尺寸 高度 19in, 宽度 8in
Artist: C. Avery Title: creation myth #52 Year: 2009 Medium: collage Size: 8X10 Price: On Request Reproductions: giclee quality printed Museo Artist cards from Cranes Paper co. hand signed by the artist with matching envelopes in Clearbags archival quality poly sleeves. Small[...]
Artist: C. Avery
Title: creation myth #52
Year: 2009
Medium: collage
Size: 8X10
Price: On Request
Reproductions:
giclee quality printed Museo Artist cards from Cranes Paper co. hand signed by the artist with matching envelopes in Clearbags archival quality poly sleeves.
Small cards: 4.5"x5.8",
square cards: 5.2"x5.2"
large cards: 5.5"x7.3",
or panoramic cards: 9.2"x3.8"
and/or
giclee quality prints on Epson Ultra Premium photo paper luster finish or Ultra Premium Presentation paper matte finish hand signed by the artist.
square prints: 5"x5", 8"x8"
rectangular prints: 5"x7",8"x10"
panoramic prints: 4"x10", 6"x12

Artista: C. Avery
Título: mito de creación #52
Año: 2009
Media: collage,
tomaño: 8X10
Precio: A petición
Reproducciones:
impresiones de calidad Giclee sobre tarjetas Museo Artist de (Cranes Paper co.) Mano firmada por el artista con sobres a juego en mangas calidad de archivo Clearbags.
tarjetas pequeño: 4.5 "x5.8",
tarjetas cuadrados: 5.2 "x5.2"
tarjetas grande: 5.5 "x7.3",
o tarjetas panorámica: 9.2 "x3.8"
y/o
impresiones de calidad Giclee sobre papel Epson Ultra Premium fotográfico acabado brillo o sobre papel Ultra Premium Presentación acabado mate. Mano firmada por el artista.
cuadrados impresiones: 5"x5", 8"x8"
rectangulares impresiones: 5"x7", 8"x10"
panorámica impresiones: 4"x10", 6 "x12

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CollageSurrealismIllustration

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Seeing's there's no point of reference that does not break down when looked fully in the face it's preferable to consider them (points of reference) as singular events in a chain of same seen most clearly when[...]

Seeing's there's no point of reference that does not break down when looked fully in the face it's preferable to consider them (points of reference) as singular events in a chain of same seen most clearly when seen from the corner of the eye as part of the larger construct that is a person's "Life". Kind of like the blurry forms in the subway cars passing by in the opposite direction in a tunnel. (Don't stare at this metaphor too long or you may go blind)..Insomuch there is no way to bio anyone without having the foolish thing break down when the head is turned to face it head on. How liberating!

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