© 2016 Artūras Tamašauskas
© 2016 Artūras Tamašauskas
© 2016 Artūras Tamašauskas
© 2016 Artūras Tamašauskas
A ROYAL PENGUIN (2016) 雕塑 由 Artūras Tamašauskas
That was a long time ago that I started thinking about creating a penguin. For me personally they are so funny but graceful and elegant at the same time. A royal one attracted my eye. It appeared the most suitable to actualize the ides for me. The idea was born while flipping through an old motorcycle lamp corpus in my hands. That was the main part [...]
That was a long time ago that I started thinking about creating a penguin. For me personally they are so funny but graceful and elegant at the same time. A royal one attracted my eye. It appeared the most suitable to actualize the ides for me. The idea was born while flipping through an old motorcycle lamp corpus in my hands. That was the main part of its body, everything else was born impromptu. I didn’t try to accurately copy the body proportions, I wanted to make it funny as if it was a twill or a character of an animated movie. My imagination came true… The royal penguin respectably stands on the iceberg, looks into a very distance as if it exactly knows where to drill a hole in the ice.
The main details:
A head is the part of a water mixer, aluminum spoons;
A body – the corps of the lamps of a motorcycle and a lorry;
Legs – marine lighting lamp camps, shelf brackets;
A tail – the spoons made of aluminum;
An iceberg – casting of a transparent resin composition;
An ice drilling machine – a ceramic tile drill hand tool.
The main details:
A head is the part of a water mixer, aluminum spoons;
A body – the corps of the lamps of a motorcycle and a lorry;
Legs – marine lighting lamp camps, shelf brackets;
A tail – the spoons made of aluminum;
An iceberg – casting of a transparent resin composition;
An ice drilling machine – a ceramic tile drill hand tool.
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Artūras Tamašauskas 是一位当代立陶宛雕塑家，以其出色的“蒸汽朋克”雕塑而闻名，每件雕塑都独一无二、与众不同。他将自己的作品描述为具体而清晰，同时鼓励观众超越可见的事物，思考其更深层的含义。他的雕塑是室内空间中的活生生的元素。. Tamašauskas 的创作材料种类繁多，从古董和器皿到被视为无用的废弃物品。通过改造这些被忽视的物品，他赋予它们新的生命和艺术表达，让它们以新的形状和形式存在。他的作品已被立陶宛、荷兰、德国、西班牙、瑞典、法国、波兰、美国和澳大利亚的蒸汽朋克爱好者收藏。. [...]
Artūras Tamašauskas 是一位当代立陶宛雕塑家，以其出色的“蒸汽朋克”雕塑而闻名，每件雕塑都独一无二、与众不同。他将自己的作品描述为具体而清晰，同时鼓励观众超越可见的事物，思考其更深层的含义。他的雕塑是室内空间中的活生生的元素。
Tamašauskas 的创作材料种类繁多，从古董和器皿到被视为无用的废弃物品。通过改造这些被忽视的物品，他赋予它们新的生命和艺术表达，让它们以新的形状和形式存在。他的作品已被立陶宛、荷兰、德国、西班牙、瑞典、法国、波兰、美国和澳大利亚的蒸汽朋克爱好者收藏。
艺术家将时间视为一个无情的循环，类似于一个磨损严重的钟表装置。他相信每个人——无论是工作、创造、爱、梦想还是履行自己的角色——都在这场无休止的表演中扮演着角色，他们既是导演又是演员。Tamašauskas 主要使用从废金属商店和跳蚤市场获得的废弃物品或碎片。通过他的想象力，他将这些材料重新赋予生命，将它们转化为在艺术表达领域中承载自己故事的新形式。
他将那些注定要毁灭的物品复活，从而找到了一种解脱感，确保他创造的角色体现出积极的情感和惊喜元素。通过他的雕塑，塔马萨斯卡斯邀请观众回顾过去，同时展望一个充满可能性和创造力的未来。
艺术家在 ArtMajeur 杂志的一篇文章中被强调:
Artūras Tamašauskas，重获新生的金属
