不出售
-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 54in, 宽度 72in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 从US$20,000 形象艺术 抽象主义
"At the end of the Long Island Expressway is a small town stock car track called ""Riverhead Raceway'. I was first introduced to it by a DJ by the name of ""Wild Girl"", describing ""Enduro's"" on an alternative radio station WFMU. I set out to see what she had described as a ""Truly Wild"" scene. I was not disappointed. Picture 100 1970's and 80's [...]
"At the end of the Long Island Expressway is a small town stock car track called ""Riverhead Raceway'. I was first introduced to it by a DJ by the name of ""Wild Girl"", describing ""Enduro's"" on an alternative radio station WFMU. I set out to see what she had described as a ""Truly Wild"" scene.
I was not disappointed. Picture 100 1970's and 80's 8 cylinder beaters battling it out on a quarter mile paved track with lots of crashes. The cars resembled John Chamberlain sculptures.
Both men and women drove, and all were amateurs, competing for bragging rights and small winnings. There were 4 of these races back to back.
I was hooked.
I continued to document the races for the next 4 years, making friends with the drivers and of course, making art."
I was not disappointed. Picture 100 1970's and 80's 8 cylinder beaters battling it out on a quarter mile paved track with lots of crashes. The cars resembled John Chamberlain sculptures.
Both men and women drove, and all were amateurs, competing for bragging rights and small winnings. There were 4 of these races back to back.
I was hooked.
I continued to document the races for the next 4 years, making friends with the drivers and of course, making art."
安东尼·费耶 (Anthony Feyer) 是一位当代美国画家，他的根源可以追溯到包厘街，当时包厘街正处于辉煌的衰败状态，充满了妓女、酒鬼、吸毒者和失败者的活力。在他的成长过程中，包厘街的独特氛围为他的艺术之旅提供了丰富的背景。. 在过去的三十年里，费耶致力于记录各种不同的亚文化，从西弗吉尼亚州的蛇处理者到兽人大会上的各种亚文化。这些不同的经历已成为他视觉词汇的基石，使他能够在绘画和视频中创作出发人深省且引人注目的作品。. [...]
安东尼·费耶 (Anthony Feyer) 是一位当代美国画家，他的根源可以追溯到包厘街，当时包厘街正处于辉煌的衰败状态，充满了妓女、酒鬼、吸毒者和失败者的活力。在他的成长过程中，包厘街的独特氛围为他的艺术之旅提供了丰富的背景。
在过去的三十年里，费耶致力于记录各种不同的亚文化，从西弗吉尼亚州的蛇处理者到兽人大会上的各种亚文化。这些不同的经历已成为他视觉词汇的基石，使他能够在绘画和视频中创作出发人深省且引人注目的作品。
费耶远非艺术界的内部人士，他刻意保持自己的边缘地位，就像他探索的亚文化一样。他的艺术努力通过在纽约、多伦多和欧洲各地的各种艺术博览会上的众多展览引起了人们的关注。
作为一名寓言现实主义画家，费耶的重点在于记录北美文化的不寻常方面。凭借对他所吸引的群体的文化人类学的浓厚兴趣，他的作品深入研究了经过多年广泛研究和实地考察而形成的五个主要主题。这些主题包括阿巴拉契亚处理蛇的教堂、被称为“Enduros”的小镇赛车比赛、对阿拉斯加东南部严酷景观及其粗犷居民的描绘、20 世纪 80 年代纽约市的衰落，以及他最近对世界的探索。 “毛茸茸的。”
费耶的艺术过程围绕着让自己沉浸在对他来说新颖的主题和经历中，将研究转化为通过他的绘画和视频记录的教育之旅。他的作品中描绘的个人往往属于局外人、工人阶级和边缘化群体，不愿向外人开放自己。费耶的艺术不仅捕捉了戏剧性的视觉内容，还揭示了存在于我们社会边缘的隐藏的、有时注定要失败的亚文化。通过他的镜头，他揭开了那些经常被忽视的人的故事，为错综复杂的人类多样化叙事提供了声音。
