Sri yantra (2017) 绘画 由 Andrii Katrych
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 19.7in, 宽度 19.7in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 精神艺术 几何
The Shri Yantra's 9 constituent triangles vary in size and shape and intersect to form 43 smaller triangles, organized in 5 concentric levels. Together they represent the totality of the cosmos and express Advaita or non-duality. In the middle, the power point (bindu) represents the cosmic center. The triangles are circumscribed by two concentric circles composed of 8 and 16 petals, representing the lotus of creation and reproductive vital force. The entire configuration is framed by the broken lines of an earth square, representing a temple with four doors open onto the regions of the universe.
The worship of the Shri Yantra is central to the Shri Vidya system of Hindu worship. It represents the Goddess in the form of Devi Tripura Sundari, the natural beauty of the three worlds: Bhu Loka (Physical Plane, Consciousness of the Physical Plane), Bhuvar Loka (Antariksha or Intermediate Space, Sub-Consciousness of the Prana) and Swar Loka (Svarga or Heaven or Super-Consciousness of the Divine Mind). The Shri Yantra is the symbol of Hinduism, which is based on the Hindu philosophy of the vedas. The Shri Yantra is the object of devotion in Shri Vidya.
The Shri Yantra represents the evolution of the multiverse as a result of the natural Divine Will of the Godhead Aadi Paraa Shakti. The four upward-pointing isosceles triangles represent the Goddess's masculine embodiment Brahm, while the five downward-pointing triangles symbolize the female embodiment Jagat jannani. The 12 and 15 sides of the four upward and five downward triangles also correspondingly symbolise, on the physical plane, the 12 sidereal zodiac signs of the Sun and 15 'nityas' phase-signs of the Moon.
The Shri Yantra is also known as the nav chakra because it can be seen to consist of nine concentric layers that radiate outward from the bindu. ("Nau" or "nava" means "nine" in Sanskrit.) Each level corresponds to a mudra, a yogini and a specific form of the deity Tripura Sundari along with her mantra. The various deities residing in the nine levels of the Shri Yantra are described in the Devi Khadgamala Mantra.
This piece is performed with fluorescent acrylic paints.
What makes this tincture unique is that it shines so brightly under the UV light.
Even in the complete darkness, a small amount of UV light is enough to visualize every paint drop.
Also, since the sun's rays contain UV radiation, the best place to put the picture would be in direct sunlight. But be sure that the paintings will look exciting and extraordinary even without ultraviolet!
There are two different black and yellow colors at work!
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My instagram @andriikatrychart
Geometry is my style. It’s when there’s nothing out of place. It’s when the patterns of the paintings themselves bring out the Essence of it. It’s about the forms, centuries-proven and energy-laden by the Universe.
My story is a story about a struggle, a struggle between a sensibility and a razor-sharp attention of engineer.
I come from a small Ukrainian town in the Carpathian mountains. By all the rules of the genre I had one choice to make - to become a worker in an oil extraction industry (as most of my peers did). And that was exactly what I did - I went there and worked for some time until one episode with my friend. She asked me to draw the Indian Sri Yantra and that task was so exciting that kept me up all night. Probably, that became a life changing moment for me. I put away all the fears and left the mountain town for the capital.
I gave up the oil industry for the theatre, and then moved on to working in the Ukrainian media.
Since 2014 I’ve been creating paintings on requests.
The clients recognise the value of my pieces for the forms which bear a profound earthborn/cosmic energy. It’s when there’s nothing out of place. It’s when there’s just the form, the deep meaning and the energy.
The technique. It’s when there’s just me, the music, the drawing canvas, the pencil, the compasses, the ruler and the acrylic paint. There’s no place for stencils or templates. Everything is done by hand, with geometrical accuracy, masterly and calibrated to the greatest possible extent. Each piece takes from 10 days to several months.
