© 2021 Anastasiya Protsenko
© 2021 Anastasiya Protsenko
© 2021 Anastasiya Protsenko
"Torn clouds" (2021) 雕塑 由 Anastasiya Protsenko
不出售
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| 1412 px | ||
|
1500 px |
| 文件尺寸 (px) | 1412x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
雕塑,
金属
在金属上
- 外形尺寸 高度 21.7in, 宽度 25.6in / 4.00 kg
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 雕塑作品 低于US$5,000 抽象主义 性质
Abstraction for me is a way of rethinking natural images, this time through sculpture. Solar eclipse and the sun shining, the breath of wind and the shiver of leaves – these are the main motifs behind my works. These subtle nuances, hardly ever noticed by modern people, fall into an original haiku, which I am writing in the spatial dimension. My works [...]
Abstraction for me is a way of rethinking natural images, this time through sculpture. Solar eclipse and the sun shining, the breath of wind and the shiver of leaves – these are the main motifs behind my works. These subtle nuances, hardly ever noticed by modern people, fall into an original haiku, which I am writing in the spatial dimension. My works represent the changing image of nature frozen in space and time, made of pieces of metal.
I put my sculptures together using production "debris" and metal splatter left behind after casting. Many countries today are no longer using this casting technology, having replaced primitive processes with more advanced technologies. What is valuable for me is that I can still observe these remnants of the 20th century industrialization in present time.
Each piece of metal, shred from the whole, represents phase change and gets solidified in intricate shapes. The energy concentrated in drops of steel gives off vibes of frozen motion. Each shape is an abstract detail created by chance. Each piece is a combination of my emotions and thought. Each drop of metal has its own character, the shape itself determines the prototype of the future piece.
I collect them and create a new story, a new abstract image, where I find the crossline between abstraction and reality. Paint, an auxiliary element, completes this game. As Kandinsky wrote, "... form itself, even if completely abstract, resembling geometrical form, has its own inner sound."
I put my sculptures together using production "debris" and metal splatter left behind after casting. Many countries today are no longer using this casting technology, having replaced primitive processes with more advanced technologies. What is valuable for me is that I can still observe these remnants of the 20th century industrialization in present time.
Each piece of metal, shred from the whole, represents phase change and gets solidified in intricate shapes. The energy concentrated in drops of steel gives off vibes of frozen motion. Each shape is an abstract detail created by chance. Each piece is a combination of my emotions and thought. Each drop of metal has its own character, the shape itself determines the prototype of the future piece.
I collect them and create a new story, a new abstract image, where I find the crossline between abstraction and reality. Paint, an auxiliary element, completes this game. As Kandinsky wrote, "... form itself, even if completely abstract, resembling geometrical form, has its own inner sound."
