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Fifty (2020) 雕塑 由 Alfonse Pagano
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艺术图片银行-
原创艺术品 (One Of A Kind)
雕塑,
木
/
玻璃
/
刺绣
/
布
在其他基材上
- 外形尺寸 高度 13in, 宽度 6.5in / 1.00 lb
- 艺术品状况 艺术品完好无损
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 雕塑作品 低于US$5,000 观念艺术 政治
In this work, I consider the American flag not as a symbol of fixed unity, but as a shifting constellation of ideals—fragile, fallible, and subject to gravity. The stars, traditionally emblematic of the 50 states and their collective identity, have fallen from formation. They rest now in quiet disarray at the base of a transparent case—visible, but displaced. Contained.
This sculpture emerged from a deep unease with the dissonance between what America claims to stand for and what it has become. The descent of these stars speaks to a broader national unraveling—a slow erosion of civic trust, democratic norms, and shared truth. It is both elegy and critique: a memorial to an ideal that feels increasingly out of reach, and a reflection on how symbols lose meaning when disconnected from action.
The vitrine preserves the fallen stars, much like a museum preserves the remnants of a civilization in decline. Encased behind glass, they are safe but unreachable, silenced by the very structure meant to elevate them.
I invite viewers to confront what it means when the symbols we’ve been taught to revere no longer align with our lived reality. What happens when a flag no longer flies, but falls?
相关主题
I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised by a single mother who saw my creative spark early, I was given freedom to explore. By fourteen, I knew art wasn’t a hobby—it was my path.
Though I studied briefly at the School of Visual Arts, I’m mostly self-taught. I learned by making, reading, and working with others—most memorably, Len Lye in the early ’70s. His energy and commitment left a mark.
Over the years, I’ve lived many lives: sailor, freighter crew, photographer, mixed media artist. My work blends photography, painting, and sculpture—often exploring decay, erosion, and transformation. In 1989, I received a NYFA grant. My book Dreads was published nationally, marking a major career shift.
During the Trump years, I altered American flags to reflect political and moral erosion. Later, I created more meditative works while living aboard a 40-foot trawler for four years.
Now back in New York, I’m restarting my studio practice with urgency and clarity. I still have more to say—and more I need to make.
