"Cyber Osi" (2006) 绘画 由 Alexander Chalovsky

油在纸上, 23.6x47.2 in
US$6,243.28   US$5,743.86
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  • 原创艺术品 (One Of A Kind) 绘画, 在纸上
  • 外形尺寸 高度 23.6in, 宽度 47.2in
  • 艺术品状况 艺术品状况良好
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  • 分类 画作 低于US$20,000 观念艺术 神话
In my latest painting, ""Fragmented Eternity: Cyber Osi" I sought to delve deep into the ancient and the philosophical, creating a work that speaks to both the mythic past and the existential present. This piece captures a profound moment in Egyptian mythology: the birth of new life from the dead body of Osiris. It’s a scene rich in symbolism and meaning, [...]
In my latest painting, ""Fragmented Eternity: Cyber Osi" I sought to delve deep into the ancient and the philosophical, creating a work that speaks to both the mythic past and the existential present. This piece captures a profound moment in Egyptian mythology: the birth of new life from the dead body of Osiris. It’s a scene rich in symbolism and meaning, executed with meticulous care using the encaustic technique on paper.
The painting is a monochromatic exploration with Osiris's body and bed rendered in bronze. The contrast between the black, white, and bronze highlights the gravity and sanctity of the moment. The figures of Isis and Nephthys are depicted kneeling beside Osiris, their hands raised towards the heavens, guiding and invoking the divine. Anubis, the god of death, is shown walking forward, his hands laid on Osiris's body, while the unborn Horus stands behind him, symbolizing hope and the continuity of life.
Creating this piece was a journey through both historical and philosophical landscapes. My research into ancient Egyptian art and mythology provided a rich tapestry of symbols and narratives to draw from. But it was the integration of modern philosophical thought that truly shaped the core of "Genesis." The conclusion I arrived at—that the world is imperfect and oscillates between points of creation and destruction—became a driving force in the conceptualization of the painting.
The encaustic technique was particularly suited for this work, allowing me to create a luminous and textured surface that adds depth and mystery to the composition. The use of heated wax in encaustic painting gives the figures an ethereal quality, suggesting the otherworldly nature of the deities and their actions.
One of the unique aspects of "Fragmented Eternity: Cyber Osi" is the way the paper itself was used. Torn into three large pieces, the paper symbolizes the irreplaceable losses that time has inflicted on us. These torn fragments, when assembled, form a complete narrative, representing the mystery and knowledge of a great proto-civilization lost to the ages. This fragmentation and reassembly speak to the idea that our understanding of the past is always incomplete, pieced together from remnants and echoes.
The ornamentation within the painting speaks to the origins of life, intertwining ancient symbols with a narrative that bridges the past and present. Each detail was carefully chosen to evoke the essence of a civilization long lost, yet eternally present in the collective memory of humanity.
The concept behind "Fragmented Eternity: Cyber Osi" reflects a duality: the imperfection of the world and the cyclical nature of life and death. When humanity appeared, it brought with it a collapse of an idealized divine order. Yet, despite this imperfection, life continues to emerge and defeat death. This cycle of creation and destruction is fundamental to our existence, a theme that resonates deeply with me.

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Fine ArtPortraits/Figure PaintingMetaphysicalOrientalismPhilosophy

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Alexander Chalovsky is an artist who works in the style of modern art, graphics and collage. He is also a professor of art. Member International Federation artist. His first public exhibit was in 1992. One of [...]

Alexander Chalovsky is an artist who works in the style of modern art, graphics and collage. He is also a professor of art. Member International Federation artist

His first public exhibit was in 1992

One of the significant projects of Alexander Chalovsky was called “The Method of Nureyev” which has fully exposed the individual method and style of the artist. It was inspired and devoted to the work of worldwide famous ballet dancer Rudolf Nureyev.

As a result of these studies, a big collection of paintings was done where one can see the progress starting with the abstract art of the 90th and ending with the figurative art combining line art with oil painting on the base of Chinese graphics. Technically, he has used the concept of appropriation based on graphics methods and artworks of the Austrian artist Lembruk.

Some of the artworks of Alexander Chalovsky were exhibited in Paris, France at The Russian Cultural Centre and in Washington, USA (during the days of the Kirov Academy of Ballet) as well as in the 5-th Moscow biennial of Modern Art and a personal exhibition in the department of Pushkin Museum of Art at Kazan Kremlin as well as the biennial of modern art in London 2023.

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印花与版画 标题为“"Running" from the…” 由Alexander Chalovsky, 原创艺术品, 雕刻
印花与版画在纸上 | 21.3x17.3 in
US$585.6
绘画 标题为“Creatine” 由Alexander Chalovsky, 原创艺术品, 丙烯
丙烯在帆布上 | 59.1x22.1 in
US$4,651.76
绘画 标题为“Nureyev Method #2” 由Alexander Chalovsky, 原创艺术品, 丙烯
丙烯在帆布上 | 47.2x35.4 in
US$14,520.81
绘画 标题为“No. 1 - A Postcard…” 由Alexander Chalovsky, 原创艺术品, 油
油在纸板上 | 4.1x8.7 in
US$187.72

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