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Glaciers (2022) 绘画 由 Afke Van Mansum
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原创艺术品 (One Of A Kind)
绘画,
丙烯
/
刺绣
/
布
在木上
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外形尺寸
17.3x17.3 in
单独工作的尺寸，不带框架： 高度 15.8in, 宽度 15.8in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (Floating Frame)
- 分类 画作 低于US$1,000 表现主义 农村
Handpainted vintage textile meets needle stitching, entwining their essence like threads of times past. The ski lift, a symbol of an era once characterized by unhurried creation and trust in our technical skills, runs gracefully across the composition. The golden standard for art, design and architecture, with its evocative loop, is represented as the essence of craftsmanship that has spanned eras of artistic work.
Contrasting the delicate stitching, glaciers emerge as a stark representation of the planet's rapid transformation. Their depiction is marked by urgency and drama, mirroring the accelerated retreat witnessed across the world's ice fields.
The narrative weaves the personal and the universal - the artist's journey to Mont Blanc glaciers, a pilgrimage that brought forth emotions of sorrow and fear for our planet's future. The artwork is made in remembrance of that experience, an emotional expression of intense sadness of what once was, translated into mixed media art.
As you immerse yourself in this tapestry of textures and symbolism, you're invited to traverse the emotional spectrum - from the deep sadness of the receding ice fields to the profound fear for the planet's fragility and human's fragility with it, as represented by the ski lift dangling in thin air.
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As an artist working across multiple mediums, including oil, watercolor, acrylics, and textiles, Afke's work is rooted in exploring the emotional aspects of diversity and exclusion, abandonment and inclusion, loneliness and connection.
Through her paintings, she seeks to capture the raw emotions that arise from these themes, inviting the viewer to contemplate their own experiences and feelings. Whether working with the fluidity of watercolors or the boldness of acrylics, Afke strives to create pieces that are both striking and thought-provoking.
In her textile work, she is particularly drawn to the tactile nature of the medium and the meditative state that arises from working with fabric. She uses fabric and thread to explore the ways in which she connects with others, and the world at large. By stitching together fragments of cloth, she creates a visual representation of the interconnectedness of all things.
Her work is deeply personal, yet it is also universal. It speaks to the human experience and the emotions that we all share. Through her art, she hopes to create a space for reflection and connection, where viewers can explore their own feelings of exclusion, loneliness, and abandonment, and find comfort and understanding in the shared experiences to gain feelings of inclusion and connection.
