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Solaris (2012) 绘画 由 Aeon
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 31.5in, 宽度 39.4in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 立体主义 奇妙
"We don't want to conquer space at all. We want to expand Earth endlessly. We don't want other worlds; we want a mirror. We seek contact and will never achieve it. We are in the foolish position of a man striving for a goal he fears and doesn't want. Man needs a man!" (Dr. Snaut).
✔ The painting is signed on the front and back. It is on a gallery-wrapped canvas with finished black edges and comes ready to hang. "Solaris" was conceived and completed throughout summer 2012 at the Island Studio, Jerusalem.
About a series "Destination Beyond":
I had a sneaking suspicion that there was more going on than my five senses could tell me. This is how I found my window into worlds that lie beyond the vanity of worldly affairs, places that no man has ever seen. I knew I needed to explore these unseen realms, relying on my intuition to find the answers I sought. As my attention sinks into these imaginary worlds, it gradually loses the focal dynamics of ordinary perception and, at a specific moment, reveals its original potential - pure and living Consciousness.
Q: How did science fiction come to influence your work?
A: I am a big fan of sci-fi. I remember being obsessed with it in childhood so much. I got my inspiration from books of famous Russian and international writers, such as the Strugatsky brothers, Alexander Belyaev, Ivan Yefremov, Stanisław Lem, Jules Verne, Ray Bradbury, Isaac Asimov, H. G. Wells, Arthur C. Clarke, and many others. I used to love drawing a perfect society based on intelligent technology with no nature pollution. I had imagined humanity transcended its existence beyond the home planet and expanded further into space. Since then, I grew up, I increased my range of interests but still refer to sci-fi as the core of my inspiration—where it all started for me.
About the artist:
Alexey Adonin explores the point of convergence between abstraction and surrealism to create a channel of communication between his inner world and the viewers, not only to share his personal vision but also and especially to invite viewers to elaborate their personal interpretations and narratives, establishing deep involvement both in the emotional aspect and in the intellectual one.
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Artist Statement
Alexey explores the point of convergence between abstraction and surrealism to create a channel of communication between his inner world and his audience. He strives not only to share his personal vision but to invite his viewers to forge their own personal interpretations and narratives by involving them both emotionally and intellectually. His approach to his work is without preconception, allowing first for randomness. Alexey then takes advantage of the mind’s ability to derive order out of chaos. Finally, he strives to move away from banal copying reality toward creating one of his own—something that somehow reflects his inner world.
Biography
Raised in Eastern Europe, Belarus, the only child in a family of his mother, a building engineer, and his father, an art teacher, Alexey's artistic path began at a young age. He started attending Children's Art School drawing classes when he was nine. Alexey studied under the guidance of gifted teachers, including his father, one of his time's non-standard and advanced painters. Later, he went to an art college that further helped develop his artistic skills and gave him a sizeable practical base. In the early '90s, Alexey and his family relocated to Israel, where he resides and works today. Alexey has exhibited locally and internationally. His works have also been acquired by notable private collections worldwide. He has received numerous awards, most recently from Bruxelles Art Vue Foundation.