Lease 画作 by Lin Schmidt

通过购买选项租赁Lin Schmidt的作品“ Qui-Sait-?.Jpg ”

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绘画 标题为“Qui-sait-?.jpg” 由Lin Schmidt, 原创艺术品, 彩瓦
Qui-sait-?.jpg
绘画 由 Lin Schmidt - 25.6x0.8 in
US$1,082.96

选择您的每月还款额:

每月付款
€89.69+增值税
剩余价值
€30.17+增值税
节税
€332.31+增值税
总成本
€864+增值税
每月付款
€52.32+增值税
剩余价值
€30.17+增值税
节税
€357.96+增值税
总成本
€928+增值税
每月付款
€36.25+增值税
剩余价值
€30.17+增值税
节税
€371.93+增值税
总成本
€963+增值税
每月付款
€28.99+增值税
剩余价值
€30.17+增值税
节税
€396.72+增值税
总成本
€1,025+增值税
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常见问题

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

更多信息

Qui-sait-?.jpg
绘画 由 Lin Schmidt - 25.6x0.8 in
绘画 标题为“Qui-sait-?.jpg” 由Lin Schmidt, 原创艺术品, 彩瓦

关于作者

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- a little more on the way 1970/74Studies in Fine Art and Psychology (especially Jung and Laing) Strongly influenced by a variety of painters: Jackson Pollack, Georgia O’Keefe Robert Rauschenberg,[...]

- a little more on the way

1970/74Studies in Fine Art and Psychology (especially Jung and Laing)
Strongly influenced by a variety of painters: Jackson Pollack, Georgia
O’Keefe Robert Rauschenberg, et Jasper Johns, while studying in the States. Then deeply moved by Giotto, Fra Angelico, and so many others seen in Europe.

1975/76Travel in the USA and in Europe on bicycle. Visited the great museums of
Europe.
1977/79Return to Chicago to work for the MCA (Museum of Contemporary Art) –
Met different artists: Robert Mangold, Robert Ryman,
Phil Berkman...
Participated in a cooperative gallery in Chicago.

1979/80Went to Bordeaux to study Chinese and to continue her research on the “I
Ching”.
Met the painter R. Boutiq and moved to Tarbes to devote herself completely to painting.

1983The first series of paintings on the “I Ching”.
1986Evolution towards the “structures” – dialog of painting/sculpture.
1987Began teaching tai chi chuan. (a Chinese martial art)
1988Moved to Louit, a small village in les Hautes-Pyrénées.
1990Shared an exhibition with R Boutiq in Mourenx.
1991/93Incorporating text as a material: texture and presence in meaning,
the poetry of Li Po, Ezra Pound, T.S. Eliot...
1995Began using the encaustic technique of painting.
1995/98Began developing the themes: messenger, door, window, spiral…
1999/02Started to work on the theme of "bu", or consulting the oracle, as well as
continuing the other themes.
2002/03She assists R. Boutiq, painter and her soul-mate, in the end of his life.
Totally empty.

2004/05Moved back to Tarbes.
2006/07Progressively returned to her work in painting.
2008Began to show her work again.

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