![Kolaże zatytułowany „Cassandra the Mysti…” autorstwa Toby Leon, Oryginalna praca, Kolaż cyfrowy](https://www.artmajeur.com/medias/standard/t/o/toby-leon/artwork/16999018_cassandra-the-mystic-marvel-rp-f-f01174-h-2000px-min.jpg?v=1689464958)
![Dodatkowe odsłony 2](https://www.artmajeur.com/medias/standard/t/o/toby-leon/artwork/16999018_2_cassandra-the-mystic-marvel-rp-f-f01174-h-2000px-2-min.jpg)
![Dodatkowe odsłony 3](https://www.artmajeur.com/medias/standard/t/o/toby-leon/artwork/16999018_3_cassandra-the-mystic-marvel-rp-f-f01174-h-2000px-3-min.jpg)
![Zobacz w pokoju Dzieło sztuki: Cassandra the Mystic Marvel](https://www.artmajeur.com/medias/standard/t/o/toby-leon/artwork/16999018_cassandra-the-mystic-marvel-rp-f-f01174-h-2000px-min.jpg?v=1689464958)
![in situ](http://cdn.artmajeur.com/img/in_situ/l_1200x1200.jpg)
Daj nam znać, jeśli chcesz zobaczyć więcej zdjęć tego dzieła!
- Powrót do pracy / Strona pracy
- Szczegóły / Podpis / Powierzchnia lub tekstura dzieła
- Grafika w sytuacji, Inny...
Cassandra the Mystic Marvel (2022) Kolaże autorstwa Toby Leon
Więcej informacji
- Opakowanie (Rura) Wszystkie prace są wysyłane z najwyższej klasy przewoźnikiem, starannie chronione i ubezpieczone.
- Śledzenie przesyłki Zamów przesyłkę monitorowaną, by mieć pewność, że odbiorca dostanie ją na czas. Numer śledzenia zostanie dostarczony, aby móc śledzić działkę w czasie rzeczywistym.
- Czas Większość paczek jest dostarczana na całym świecie w ciągu 1 do 3 tygodni (Oszacować)
- Nie obejmuje cła Cena nie zawiera opłat celnych. Większość krajów nie ma podatku importowego od oryginalnych dzieł sztuki, ale może być konieczne zapłacenie obniżonego podatku VAT. Opłaty celne (jeśli występują) są naliczane przez urząd celny w momencie przybycia i oddzielnie rozliczane przez przewoźnika.
Więcej informacji
- Świadectwo autentyczności online Certyfikaty autentyczności można w każdej chwili zweryfikować online, skanując kod dzieła sztuki.
- Certyfikat Wartości Artysty Eksperci i rzeczoznawcy badają prace i przebieg kariery artysty, a następnie ustanawiają niezależną i wiarygodną wartość danej pracy. Wartość średnia cen plasuje danego artystę na danej pozycji na określony czas. Eksperci mogą być także poproszeni o bardziej precyzyjną wycenę danego dzieła.
Więcej informacji
100% bezpieczna płatność z certyfikatem SSL + 3D Secure.
Więcej informacji
-
Edycja limitowana Liczba kopii : 15.
Kolaże,
Kolaż cyfrowy
/
Cyfrowy wydruk
/
2D praca cyfrowa
/
Kolaże
na Papier
- Wymiary Wysokość 32in, Szerokość 24in
- Stan grafiki Grafika jest w idealnym stanie!
- Oprawianie w ramy Ta grafika nie jest oprawiona
- Kategorie Kolaże poniżej 500 USD Sztuka konceptualna fantastyczny
In the realm of Greek mythology, Cassandra, the daughter of King Priam and Queen Hecuba of Troy, was blessed with the gift of prophecy by Apollo. But when she spurned his advances, he cursed her so that no one would believe her prophecies. This tragic tale of a misunderstood prophetess, whose warnings of impending doom were tragically ignored, serves as the foundation for the artwork.
The story behind the artwork presents an alternate reality where Cassandra is not only believed but sought after for her prophetic abilities. However, this Cassandra is haunted by the pain and rejection experienced by her parallel self in another dimension. Compelled to take revenge for the disbelief and disregard her parallel self faced, she imposes visions of the future on those who did not seek it out, deluding herself into thinking that this act of revenge is just and true.
The artwork challenges the historical silencing of Cassandra's prophetic voice and the dismissal of female wisdom in ancient societies. By reimagining Cassandra's story, the artwork serves as a metaphor for the women who have been cast aside, their talents and truths disregarded. In giving Cassandra her due, the artwork sheds light on the systemic oppression of the marginalised and the power of resilience. In giving her revenge, the uncomfortable nature of trauma responses are cooked in a crucible of smoke, mirrors, potions and prophecies...
—
Series Statement
In this series, the stereotypes women have been labelled with through history have now become their greatest strength. Drawing inspiration from 1920s Gazette du Bon Ton fashion plates, I infuse archaic witch tropes into the enigmatic narratives of six Greek goddesses and nymphs: Thea, Cassandra, Echo, Rhea, Circe, and Aphrodite.
By intertwining reductive motifs with the first generation of "liberated" women from the Gazette du Bon Ton, I’m playing with the foundations of freedom and subjugation. The Gazette, available only to the wealthy, represented a form of liberation that was tantalisingly out of reach for most women. Yet, even the women who could afford the Gazette were vilified if they dared to express themselves too boldly. Hitting a glass ceiling of judgement, or even scorn, if they stepped outside the bounds of ladylike behaviour. An ironic cudgel seeing how boundless the strictures of ladylike behaviour have proven to be over the years. Endlessly adapted by men and women who fear independent spirits above all else.
The fashionable interplay between witchery, demonic possession, and female sexuality in this series is an invitation to reclaim all the sexist stereotypes… again, because they’re still hanging around — embedded in cultural artefacts and filigreed into social policing. Which is why the starting point for this series was transcendence. With each goddess and nymph transcending the boundaries of heroism and villainy, because deities can’t be hemmed in. While the implacable faces and artfully contorted bodies of the fashion plates continue to evoke the same tension between seeking agency and succumbing to the control of social norms. As well as the paradoxical nature of their newfound liberation as fashion plates. Tailored to perfection but still saddled with the expectation of conformity — albeit couture. And so their stories play into the cyclical nature of oppression women have endured beneath all those tired stereotypes of witch, virgin, mother, whore…
Powiązane tematy
History Remixing
We imagine history into existence every day, shaping the world around us as we go. I remake histories with every piece. From a motley crew of tales tall and true. A melange of myths, signs and symbols. Every one ripe for my kitsch confections, which could all be legends one day.
Every piece I create is true. Sourced from truth and grounded by it. But never real. Reality's a fiction we're all subscribed to, which doesn't make it any less true. And that's the thing about the truth. Or the past. It moves in both directions. Myriad, in fact. Never sitting still or doing as it's told. Forever questioned, dissected, reframed and upended. Queered and inverted. Packaged and performed. Told, retold, adapted then sold. Evolving, like everything else. Which is why I like to think my art exists outside of time. Reaching for infinity. Not reality. A kaleidoscope of mish-mashed truths, which are only as surreal as we choose to make them...
Eternally Hungry
Born in Sydney, I spent my childhood surrounded by artists, oddballs and academics. They taught me to question everything. Respectfully and without fear.
Their coffee table books inspired my love of art and design. Vigorous debates over citywide dinner tables made me realise how complex the world is. Tales of lives spent abroad inspired my wanderlust. Their most important lesson? The value of being eternally hungry—that you should always leave enough room to taste something you've never experienced before.
Twenty-two countries and four continents later, I can find home anywhere with WiFi and a hearty chunk of intrigue. It's because of them, and I'm forever grateful.
-
Obywatelstwo:
AUSTRALIA
- Data urodzenia : nieznana data
- Domeny artystyczne: Prace profesjonalnych artystów,
- Grupy: Profesjonalny artysta Współcześni Artyści Australijscy