© 2021 Sinead Ni Chionaola
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Moments in Time (2021) Peinture par Sinead Ni Chionaola
Acrylique sur Toile, 9,8x11,8 in
774,25 $US
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Sinead Ni Chionaola
Expédié depuis: Irlande
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Vendeur Sinead Ni Chionaola
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Cette oeuvre apparaît dans 1 collections
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Œuvre d'art originale (One Of A Kind)
Peinture,
Acrylique
sur Toile
- Dimensions Hauteur 9,8in, Largeur 11,8in
- Encadrement Cette oeuvre n'est pas encadrée
- Catégories Peintures à moins de 1 000 $US Expressionnisme Marine
Sinead Ní Chionaola has evolved into an artist who is able to visually communicate transformative states of being. All aspects of humanity and all aspects of divinity are revealed on her canvas.
Her work is a spiritual experience both in the creation for the artist and in the moment of viewing for the viewer....one soul communicating with another.[...]
Sinead Ní Chionaola has evolved into an artist who is able to visually communicate transformative states of being. All aspects of humanity and all aspects of divinity are revealed on her canvas.
Her work is a spiritual experience both in the creation for the artist and in the moment of viewing for the viewer....one soul communicating with another.
The paintings of Sinead Ni Chionaola are the products of intense and intimate conversations with the language of space, color, and gesture. An exuberant and impassioned artist, Sinéad is consumed with the curious struggle of shaping an image from the landscape/ figure and injecting it with her imagination. Her use of tonally contrasting color combined with vigorous brushwork imbues Sinead’s paintings with a complex emotional presence. While her paintings are based in the landscape they are intimately about the act, the process of painting, and perhaps how that reflects the process of living.
Amid the chaos of COVID, vaccines, and conspiracy theories, I walked. I found myself becoming more grounded as I connected directly with my immediate landscape. I started to look with renewed attention and appreciation at my locality. I put my photographs aside and went to my local beach and painted directly onto the canvas as the sun was slowly setting. My paintings always have to do with a feeling, a mood, and atmosphere with some sort of sensibility that would resonate from a place and these characteristics permeate my work.
I layer acrylic paint onto the canvas in the studio. I enjoy the push and pull of the painting to be in control enough not to be in control at all, to have a dialogue with the work, and to let myself go with it. I want the texture to suggest an intimate engagement with the surface. With subsequent layers, I see what I want to retain, omit, and emphasize. I use titles to engage with the audience, which leads the viewer to discover more.
Amid the chaos of COVID, vaccines, and conspiracy theories, I walked. I found myself becoming more grounded as I connected directly with my immediate landscape. I started to look with renewed attention and appreciation at my locality. i went to my local beach and painted directly onto the canvas as the sun was slowly setting.
My paintings always have to do with a feeling, a mood, and atmosphere with some sort of sensibility that would resonate from a place and these characteristics permeate my work. I layer acrylic paint onto the canvas in the studio. I enjoy the push and pull of the painting to be in control enough not to be in control at all, to have a dialogue with the work, and to let myself go with it. I want the texture to suggest an intimate engagement with the surface. With subsequent layers, I see what I want to retain, omit, and emphasize. I use titles to engage with the audience, which leads the viewer to discover more.
with this painting, I had been working in the studio for a few weeks and I needed new inspiration. I went to Ballycotton and saw the light shining on the water the lighthouse, the dramatic black rocks, and the waves splashing onto them. I did a lot of small blind-drawing sketches on the spot and then I painted over another canvas in the studio to produce this beauty. I will always remember this moment in time whenever I look at this painting.
Her work is a spiritual experience both in the creation for the artist and in the moment of viewing for the viewer....one soul communicating with another.
The paintings of Sinead Ni Chionaola are the products of intense and intimate conversations with the language of space, color, and gesture. An exuberant and impassioned artist, Sinéad is consumed with the curious struggle of shaping an image from the landscape/ figure and injecting it with her imagination. Her use of tonally contrasting color combined with vigorous brushwork imbues Sinead’s paintings with a complex emotional presence. While her paintings are based in the landscape they are intimately about the act, the process of painting, and perhaps how that reflects the process of living.
Amid the chaos of COVID, vaccines, and conspiracy theories, I walked. I found myself becoming more grounded as I connected directly with my immediate landscape. I started to look with renewed attention and appreciation at my locality. I put my photographs aside and went to my local beach and painted directly onto the canvas as the sun was slowly setting. My paintings always have to do with a feeling, a mood, and atmosphere with some sort of sensibility that would resonate from a place and these characteristics permeate my work.
I layer acrylic paint onto the canvas in the studio. I enjoy the push and pull of the painting to be in control enough not to be in control at all, to have a dialogue with the work, and to let myself go with it. I want the texture to suggest an intimate engagement with the surface. With subsequent layers, I see what I want to retain, omit, and emphasize. I use titles to engage with the audience, which leads the viewer to discover more.
Amid the chaos of COVID, vaccines, and conspiracy theories, I walked. I found myself becoming more grounded as I connected directly with my immediate landscape. I started to look with renewed attention and appreciation at my locality. i went to my local beach and painted directly onto the canvas as the sun was slowly setting.
My paintings always have to do with a feeling, a mood, and atmosphere with some sort of sensibility that would resonate from a place and these characteristics permeate my work. I layer acrylic paint onto the canvas in the studio. I enjoy the push and pull of the painting to be in control enough not to be in control at all, to have a dialogue with the work, and to let myself go with it. I want the texture to suggest an intimate engagement with the surface. With subsequent layers, I see what I want to retain, omit, and emphasize. I use titles to engage with the audience, which leads the viewer to discover more.
with this painting, I had been working in the studio for a few weeks and I needed new inspiration. I went to Ballycotton and saw the light shining on the water the lighthouse, the dramatic black rocks, and the waves splashing onto them. I did a lot of small blind-drawing sketches on the spot and then I painted over another canvas in the studio to produce this beauty. I will always remember this moment in time whenever I look at this painting.
Thèmes connexes
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