Rhythms of Spring #26 (2010) Grafika cyfrowa / sztuka generowana cyfrowo autorstwa Kenneth Grzesik

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  • Ta praca jest „edycją otwartą” Grafika cyfrowa / sztuka generowana cyfrowo, Drukuj Giclée / Cyfrowy wydruk
  • Wymiary Dostępne w kilku rozmiarach
  • Dostępnych jest kilka rodzajów wsparcia (Papier artystyczny, Drukowanie na metalu, Druk na płótnie)
  • Oprawianie w ramy Dostępne kadrowanie (Pływająca rama + pod szkłem, Rama + Pod szkłem akrylowym)
Undulant waves of vibrant color materialize as if by magic. The feeling is one of wonder and joy in the flow of interwoven beauties. There is a delicacy of feeling in the air, an awareness of sensitivity sparked by sensory excitation. Contact Kenneth Grzesik at for price and printing options.
Undulant waves of vibrant color materialize as if by magic. The feeling is one of wonder and joy in the flow of interwoven beauties. There is a delicacy of feeling in the air, an awareness of sensitivity sparked by sensory excitation. Contact Kenneth Grzesik at for price and printing options.

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A Visual Breeze That Sways In A Flow Spectral Undulations.

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Even though it's a long shot bet the pay off would be substantial, so I'm working towards that end. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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Grafika cyfrowa / sztuka generowana cyfrowo | Kilka rozmiarów
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Grafika cyfrowa / sztuka generowana cyfrowo
Na prośbę
Grafika cyfrowa / sztuka generowana cyfrowo | Kilka rozmiarów
Na prośbę
Grafika cyfrowa / sztuka generowana cyfrowo | Kilka rozmiarów
Na prośbę

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