The Cleaner (2004) Fotografia por Paul Scott

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Vendedor Paul Scott

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Resolução máxima: 2828 x 3421 px
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Vendedor Paul Scott

  • Este trabalho é uma "edição aberta" Fotografia, Giclée / Impressão digital
  • Dimensões Vários tamanhos disponíveis
  • Vários suportes disponíveis (Papel de belas artes, Impressão no metal, Impressão em telas)
  • Moldura Quadro disponível (Quadro flutuante + sob o vidro, Quadro + Sob Vidro Acrílico)
  • Condição da obra de arte A obra está em muito bom estado
  • Categorias Arte Outsider Nus femininos
Taking a break from the routine nude. Sobre esta obra: Classificação, Técnicas & Estilos Arte Outsider Inventada por Jean Dubuffet (1901-1985) em 1945, a[...]
Taking a break from the routine nude.

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I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would[...]

I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would probably be too much of a digression. I then worked at Stokes' Paint Factory (where I mixed paint) and subsequently in what was called at the time a lunatic asylum (where I looked after the lunatics), a venerable institution situated in Northampton founded in 1838 with its own nine-hole golf course and church designed by the celebrated architect Gilbert Scott, where I assisted, among other things, with their programme of electro-shock therapy. I was subsequently employed in all sorts of businesses and institutions too numerous to mention here. This dabbling in just about everything had the effect of giving me a reasonable grounding in what it means to be a human being, and, to a lesser extent, a grounding in the aesthetics of everyday life. Whatever that is. 

During this period, I represented four living artists for some time in the Northampton area. That was hard, but my long association with these four artists taught me much about art and art appreciation.

 I subsequently bought and sold eighteenth, nineteenth, and twentieth-century art. That was easier, but still not easy to make enough money to live on. 

During this whole time, I continued to draw, paint, and photograph what was around me.

I hope my feelings come through in what I do, and that my art expresses something of the wonder and strangeness of life.

I have lived in Estaing, Aveyron since 2008, and married a French woman (my second marriage) in 2017. We have two cats.

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