Série "A deux mains" 10 Pintura por O.M.A.
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Three or four colliers alongside were pouring their cargoes of coal into her port-holes. Beside the 'Great Eastern,' these three-mast ships looked like barges; their chimneys did not even reach the first line of light-ports in her hull; the yards of their gallant-sails did not come up to her bulwarks. The giant could have hoisted these ships[...]
Three or four colliers alongside were pouring their cargoes of coal into her port-holes. Beside the 'Great Eastern,' these three-mast ships looked like barges; their chimneys did not even reach the first line of light-ports in her hull; the yards of their gallant-sails did not come up to her bulwarks. The giant could have hoisted these ships on its davits like shore-boats.
At the bows was an engine of sixty-six horse-power. In order to raise the anchors it was only necessary to send the steam from the boilers into its cylinders to obtain immediately a considerable power, which could be directly applied to the windlass on which the chains were fastened. This was done; but powerful as it was, this engine was found insuflficient, and fifty of the crew were set to turn the capstan with bars, thus the anchors were gradually drawn in, but it was slow work.
At the bows was an engine of sixty-six horse-power. In order to raise the anchors it was only necessary to send the steam from the boilers into its cylinders to obtain immediately a considerable power, which could be directly applied to the windlass on which the chains were fastened. This was done; but powerful as it was, this engine was found insuflficient, and fifty of the crew were set to turn the capstan with bars, thus the anchors were gradually drawn in, but it was slow work.
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Russie
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Não gosto o mercado ; onde é o museu?
Nacionalidade:
[...]
Não gosto o mercado ; onde é o museu?
- Nacionalidade: BÉLGICA
- Data de nascimento : data desconhecida
- Domínios artísticos: Obras de artistas profissionais,
- Grupos: Artista profissional Artistas Belgas Contemporâneos
O Artista foi destaque em artigo na Revista Artmajeur: