Lazos 1 (2007) Prenten & gravures door Morales

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The hidden feelings present in Morales' works were recorded by time, between the relentless face of the contrasts of white and black. It is completely superfluous to describe in words the content of the works since they are at the limit of abstraction. The difficulty of interpretation itself seems to be the key to the definition of the works.[...]
The hidden feelings present in Morales' works were recorded by time, between the relentless face of the contrasts of white and black. It is completely superfluous to describe in words the content of the works since they are at the limit of abstraction. The difficulty of interpretation itself seems to be the key to the definition of the works. Each of the prints needs to be enjoyed carefully. Invites us to dive into the details to gently extract its essence.

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The hidden feelings present in Morales' works were recorded by time, between the relentless face of the contrasts of white and black. It is completely superfluous to describe in words the content of the[...]

The hidden feelings present in Morales' works were recorded by time, between the relentless face of the contrasts of white and black. It is completely superfluous to describe in words the content of the works since they are at the limit of abstraction. The difficulty of interpretation itself seems to be the key to the definition of the works. Each of the prints needs to be enjoyed carefully. Invites us to dive into the details to gently extract its essence. Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art, are closely related terms. They are similar, but perhaps not of identical meaning.

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