Lunch Atop a Skyscraper (2023) Arte digitale da Marjoline Delahaye

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  • Quest'opera è una "Open Edition" Arte digitale, Schizzo / Stampa digitale
  • Dimensioni Diverse taglie disponibili
  • Numerosi supporti disponibili (Carta per belle arti, Stampa su metallo, Stampa su tela)
  • Incorniciatura Framing disponibile (Cornice galleggiante + sotto vetro, Frame + Sotto vetro acrilico)
  • Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
  • Categorie Illustrazione Vita di ogni giorno
This famous historic 1932 newspaper photograph now reworked to enable enlargements. Once upon a time in New York there were thousands and thousands of fugitives, migrants from Europe, especially Ireland. In those days there were no benefits, only work, if you could get it. So fathers took on anything they could to feed their families.[...]
This famous historic 1932 newspaper photograph now reworked to enable enlargements.

Once upon a time in New York there were thousands and thousands of fugitives, migrants from Europe, especially Ireland. In those days there were no benefits, only work, if you could get it. So fathers took on anything they could to feed their families. Especially at risk were the construction workers who helped to build the skyscrapers of New York. Few lived to be older than 45. No matter how careful they were, accidents happened. There were no nets to catch those who fell from the high beams. Here they are 850 feet or 260 meters above the ground. Many grew to be almost acrobats in the way they could walk the beams. They were the heroes of the Big Apple. Here they are posing for a group of photographers taking their break on a beam together. At the request of the Rockefeller Center. For publicity purposes.

Because a number of photographers were involved in this photoshoot in 1932, it was never established who exactly took the original underlying photograph. Out of the historis New York photo library the original photograph is the most asked after and purchased.

Temi correlati

Love Atop A SkyscraperNew YorkThe Big AppleSteel WorkersIron Workers

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The quote "Beauty is functional" relates to the importance of art which to my mind goes much further than mere decoration. It is what gives us the energy to continue when times are difficult, it gives[...]

The quote "Beauty is functional" relates to the importance of art which to my mind goes much further than mere decoration. It is what gives us the energy to continue when times are difficult, it gives us purpose, it gives us life.

Now a bit about me, Marjoline Delahaye. After a life of combining art as a separate hobby to an IT career, I now combine all I know in both fields of art and IT to mix  and bring out the best of both in my digital art collages and digital sketching and painting.

How did this all come about? After a long focus on IT for my income whilst raising my family, I started painting in the realistic style again in 1991. After some time I became more interested in displaying core shared emotions and branched out into abstract work, encouraged by the reactions from the public at the exhibition in France where I showed a series of 8 large abstract works. It was so interesting that those grieving for a parent, those hurting from the loss of their lifelong job, and those frightened by the loss of Amazon jungle all saw their feelings represented by the same, single abstract work of art.

For a number of years I extended my work into the realm of film and digital effects, following many different courses to make this possible. This culminated in the current works which you see here, which are a mix of sketching, digital effects and  digital painting of subjects related to human passions, such as dancing, cars, sports, biking, photography, nature and the little things in life.

An advantage of this digital way of working is that it can ultimately be used on many different substrates, including brushed aluminium, acrylic, wood and canvas panels.

In the course of time I have lived in The Netherlands, Australia, South Africa, Canada and France, before returning to live permanently in The Netherlands. Undoubtedly this has all left impressions and contributes to the style of universally recognisable and shared emotions.

Aside from the arts, my graphic design work has also been utilised for different purposes, such as the Commons, Beatstad Radio, DiEM25, Fiat 500 Club, Autism Society, Universal Basic Income, multiple different websites, etc.

I am happy that you have found your way to my page, and thank you for your interest in my work.

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