"Ma dove cazzo sono?"
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12 artworks by Marco Battaglini (Selection)
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"Good Artists Copy; Great Artists Steal"
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"In the beginning there was nothing. Then He said, “Let there be Art”."
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"It's like a jungle sometimes"
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"Unhappy ending"
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"gallery"
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"Il mio tempo non e' ancora venuto (version 2)"
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"make love not war"
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"Like machines..."
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"gentlemen prefer blondes"
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"inside is more important than outside?"
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"Environmentally friendly"
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Recognition
Established artist
The artist is recognized for their work
The artist is recognized for their work
Represented by a gallery
The artist is officially represented by a gallery
The artist is officially represented by a gallery
Published in Artmajeur Magazine
The Artist was highlighted in an article in Artmajeur Magazine
The Artist was highlighted in an article in Artmajeur Magazine
Art Education
The artist studied the arts through his academic studies
The artist studied the arts through his academic studies
Editor's Pick
The artist's works have been noticed by the editorial staff
The artist's works have been noticed by the editorial staff
Sold in galleries
The artist is sold in galleries
The artist is sold in galleries
Presented in Art Fairs
The artist participates in art shows and fairs
The artist participates in art shows and fairs
Biography
Marco Battaglini is a contemporary Italian artist. The uniqueness of the artist is to conceptualize the possible coexistence of the ideals of classical beauty with the anti-aesthetic, the combination of the divine and refined with the vulgar, through a composition that can complement different realities in an eternal instant. His research of multidimensionality leads him to overlap different temporal, spatial, and cultural realities, where everything seems to make sense. This is ultimately Battaglini's purpose: remove barriers that distort the perception of reality.
Through a subtle interplay of multiple realities overlapping in the chronotope, Battaglini evidences the contradictions in mental models about the temporal contrast (chronological) and the cultural and linguistic barriers. Compositions that at first seem 'logical' immediately reveal temporal and spatial limitations that are disruptive in interpreting reality. The artist invites us to think that in today's global village, with the 'democratization' of culture, the evolution of knowledge, information immediacy, immersed in heterogeneity, the Patchwork Culture forces us to confront a need for understanding beyond our geographical boundaries of time.
Marco Battaglini was born in 1969, in Italy. He has exhibited his works all over the world.
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Nationality:
ITALY
- Date of birth : 1965
- Artistic domains:
- Groups: Contemporary Italian Artists
Influences
No data available yet
Education
No data available yet
Artist value certified
No data available yet
Galleries & Groups
Presented by ArtRewards
ArtRewards
(Art gallery, Norway)Achievements
Activity on Artmajeur
Last modification date : Feb 28, 2024
(Member since 2007)
Image views: 284,099
Artworks by Marco Battaglini added to favorite collections: 288
Latest News
All the latest news from contemporary artist Marco Battaglini
Added May 22, 2014
2014 Saatchi Gallery – 2nd floor, Screen room
Studies
1983-88 Liceo Artistico di Verona, Italia.
1988-93 Universita di Venezia, I.U.A.V. Italia.
1991-94 Accademia di Belle Arti, Venezia, Italia.
Exhibitions
2010 LACDA Feed_Back Los Angeles, USA.,
2010 Scope Basel, Switzerland. I Think, Therefore I am Dangerous
2011 Art Dubai, Reality Versus Imagination and Illusion (installation)
2012 Human Rights - Art from World, curated by Roberto Ronca.
2012 Art takes Times Square - Artist wanted
2012 YOUnite Tour - The Nomadic Project
2013 Art Cologne – Booth E 009
2013 Art Dubai, The Global Village
2014 Saatchi Gallery – 2nd floor, Screen room
Added May 22, 2014
Marco Battaglini: Multiple Overlapping Realities
Through a subtle interplay of multiple realities overlapping in the chronotope, Battaglini evidences the contradictions in mental models about the temporal contrast (chronological), and the cultural and linguistic barriers.
Compositions which at first seem 'logicals', immediately reveal temporal and spatial limitations that are disruptive in the interpretation of reality.
Battaglini invites us to think that in today's global village, with the 'democratization' of culture, the evolution of knowledge, information immediacy, immersed in the heterogeneity, the Patchwork Culture forces us to confront with a need understanding beyond our geographical boundaries of time.
Probably the uniqueness of the Italian artist Marco Battaglini is to conceptualize the possible coexistence of the ideals of classical beauty with the anti-aesthetic, the combination of the divine and refined with the vulgar, through a composition that can complement different realities in an eternal instant.
His research of multidimensionality leads him to overlap different temporal, spatial and cultural realities, where everything seems to make sense…
This is ultimately the Battaglini’s purpose: remove barriers that distort the perception of reality.
Added Jul 18, 2010
Expressive Realism - The emotional content breaks
the barrier of the two dimensions
to capture three-dimensional space.
The powerful reliefs of the canvas
create a dynamism associated with the direction of light.
It is as if the vital forces tried to break free
Added Jul 18, 2010
Expressive Realism - The emotional content breaks
the barrier of the two dimensions
to capture three-dimensional space.
The powerful reliefs of the canvas
create a dynamism associated with the direction of light.
It is as if the vital forces tried to break free
OBSERVATION - EXPECTATION - CREATION - BELIEF
Added Jul 18, 2010
Expressive Realism - The emotional content breaks
the barrier of the two dimensions
to capture three-dimensional space.
The powerful reliefs of the canvas
create a dynamism associated with the direction of light.
It is as if the vital forces tried to break free
Added Apr 18, 2008
Painting Method of Marco Battaglini
Mixt technique on canvas:
Gloss Enamel Paint, Oil and Airbrush on canvas. Polyurethane finish.
The original aspect to Battaglini's application of paint concerns his application of paint by letting it drip on to the canvas.
In the beginning the figurative element draw up with an oil base and details in airbrush, later the emotions take form and the enamels begin their free route.
By the size of painting and mainly by the technique of dripping enamels, he works on horizontal position, onto a piece of canvas spread on the floor.
“On the floor I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides, and literally be in the painting.”
The art critic Borrello described that technique as being “like a seismograph” in which the painting “recorded the energies and states of the man who drew it.”
Added Jan 23, 2007
Marco Battaglini: Multiple Overlapping Realities
Through a subtle interplay of multiple realities overlapping in the chronotope, Battaglini evidences the contradictions in mental models about the temporal contrast (chronological), and the cultural and linguistic barriers.
Compositions which at first seem 'logicals', immediately reveal temporal and spatial limitations that are disruptive in the interpretation of reality.
Battaglini invites us to think that in today's global village, with the 'democratization' of culture, the evolution of knowledge, information immediacy, immersed in the heterogeneity, the Patchwork Culture forces us to confront with a need understanding beyond our geographical boundaries of time.
Marco Battaglini: Multiple Overlapping Realities
Probably the uniqueness of the Italian artist Marco Battaglini is to conceptualize the possible coexistence of the ideals of classical beauty with the anti-aesthetic, the combination of the divine and refined with the vulgar, through a composition that can complement different realities in an eternal instant.
His research of multidimensionality leads him to overlap different temporal, spatial and cultural realities, where everything seems to make sense…
This is ultimately the Battaglini’s purpose: remove barriers that distort the perception of reality.
Reviews and comments
A true testament to the power of art to captivate and inspire. Compliments!
Your artwork speaks volumes. It's rich in detail and expression.
Magnifique, splendide…
Your art is wonderful!
Scrivere questa prima recensione mi onora... Opere fantastiche... Tecnica e concetti straordinari... Sinceri complimenti
Writing this first review honors me ... Fantastic works ... Extraordinary technique and concepts ... Sincere congratulations
Vos oeuvres sont impressionantes , quel immense talent.
Sua proposta é muito boa gostaria de ver sua arte
aqui no Brasil.
Your proposal is very good I would like to see your art
here in Brazil.
Sua proposta é muito boa gostaria de ver sua arte exposta aqui no Brasil.
Marco estoy altamente impresionado de tu trabajo. Felicidades.
Ciao Marco. Come stai? Soy Rafa, San José finales de los 90. Enhorabuena por tu pintura. Me gustaría contactar contigo.
Dear Marco,
Your artwork is very strong, memorable, aesthetically striking and technically impressive. Keep up the excellence. Best to you in your endeavours.
Roxanne
bravo, pour votre talent, bonne chance.
Trovo i tuoi dipinti molto ironici e ben studiati...mi fanno pensare molto alla pittura di Bruno D'Arcevia.BRAVO
I find your paintings very ironic and well studied...they make me think a lot about the painting of Bruno D'Arcevia.BRAVO
Bruno
•
sei grande
finalmente la pittura
e qualcuno che osa
ciao e buon lavoro
bruno
you are great
finally painting
and someone who dares
hello and good job
Bruno
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