Storm brewing over City (2022) Peinture par Lynda Stevens

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Vendu par Lynda Stevens

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Impressions d'art

27,14 $US

Impressions sur toile

46,68 $US

Impression sur métal

100,95 $US

Qualité Musée

Avis clients Excellent

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Vendu par Lynda Stevens

Œuvre d'art originale (One Of A Kind) Peinture, Acrylique sur Toile

Classification des oeuvres

Oeuvre unique (OOAK / Œuvre d'art originale)

Les œuvres d'art uniques sont également connues sous le nom d'œuvres d'art « OOAK ». Cela signifie que chaque œuvre d'art est unique et qu'il n'y en aura jamais d'autre identique.
Dimensions Hauteur 23,6in, Largeur 31,5in
État de l'œuvre L'oeuvre est en très bon état
Encadrement Cette oeuvre n'est pas encadrée
Catégories Peintures à moins de 5 000 $US Expressionnisme Ville

Here, the rigidity of the columns and foreground - symbolising steel, glass and concrete - are contrasted with the fluidity of the 'storm' developing above, which is part an acrylic pour, part painted with darker bands, with these blending into each other. The city should be able to withstand the storm, but in some parts of the world, that[...]

Lynda Stevens

Hongrie

I was born in the UK but since 1996 have lived and worked in Budapest, Hungary. I began my creative path at the age of 19 and to begin with was totally self-taught and it was always the aim to let images and impressions from within come more or less spontaneously. For me, the whole process has always represented a kind of 'soul work.' In the 1980's however, I did attend two fairly rigorous two-year part-time courses - the one diploma in painting at leamington College of FE and a Certificate in Craft Materials at Coventry University. These introduced me to several new techniques and a deeper understanding of art history.

I work mainly with mixed-media pieces on board using an array of material ranging from glass fragments, fabric pieces and wax. I am fascinated by materials that reflect and use a myriad of gold hues, silvers and luminescents against matt backgrounds.

I also create mixed-media paper collages, again, usually in A4 size. In these, I tend to employ a bastardised marbling technique for the background and then work into each composition using ink pen, gel pens, metal flakes and fragments of other paper, or materials with either holographic or luminescent surfaces.

I currently have several pieces represented by the Szentendre-based, virtual MiDo Galéria.

I am actively involved in the alternative Budapest art scene, participating in one-night events such as the Vad Art exhibitions, and am part of a well-established life drawing group, through which I have had the opportunity twice now to participate in two group exhibitions at prestigious venues. Since pandemic restrictions, I have also been participating again in the weekly Gozsdu Montmartre event, at Gozsdu Court in the city centre of Budapest.

Whilst in Coventry, England in the late 80's and early 90s, I exhibited regularly with an assorted group of artists called the 'Dream Illustrators' based near the city centre, as well as putting on solo exhibitons. I also lived in Brighton from 1994-1996 and exhibited with the Best Cave Gallery in several group exhibitions.