K (2010) Φωτογραφία από Leon Bugaev

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Αυτό το έργο τέχνης εμφανίζεται σε 6 συλλογές
  • Αυθεντικά έργα τέχνης Φωτογραφία, Φωτογραφική ταινία / Ψηφιακή φωτογραφία στο Χαρτί
  • Διαστάσεις Ύψος 11,8in, Πλάτος 11,8in
  • Κατηγορίες Σουρεαλισμός
The object portrait (term), which is a scene where the character's face is shielded by an object, for example, a globe, a pair of boots, a briefcase, or a balloon. The object is the central part of the image and may serve as an illustration of “difsymbols” *. ​ Difsymbols (different symbols) are dynamic symbols having no exact identification[...]
The object portrait (term), which is a scene where the character's face is shielded by an object, for example, a globe, a pair of boots, a briefcase, or a balloon. The object is the central part of the image and may serve as an illustration of “difsymbols” *.

Difsymbols (different symbols) are dynamic symbols having no exact identification – like, for example, in an allegorical still life where a globe typically symbolizes the Earth or starry skies. The idea of the symbol in the object portrait rests on the fantasy motion, therefore dyfsymbols are multifaceted and unrestricted, and the combinations of generated meanings have no boundaries - a unit (man) is multiplied by infinity (difsymbols).

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Leon Bugaev is an artist, director. Develops such directions as: The object portrait and The kinetic scene. ​ He constructs his reality from a paradoxical combination of objects, and black-and-white[...]

Leon Bugaev is an artist, director. Develops such directions as: The object portrait and The kinetic scene.

He constructs his reality from a paradoxical combination of objects, and black-and-white color treatment lends it the vividness of a dream. A character in a formal suit grins impishly out of the picture; in place of his face is the carcass of a turkey, but the observer instinctively makes out human features in the shape. In his works, Bugaev often uses images of objects frozen in midair. This approach automatically prepares onlookers to accept irrational information, and simultaneously establishes action far beyond the limits of the illustration. A dark, blurred figure moves sharply, while its head hangs in the foreground and stares at the viewer. The static perspective on the motion is intriguing. The onlooker himself begins to fill in the details of the subject, the quiescent episode the photograph suggests.

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