Thoughtless 2.0 (2022) Pintura por Giuseppe Valia

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Vendedor Giuseppe Valia

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US$ 129,70
US$ 270,20
Resolução máxima: 11811 x 10630 px
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Vendedor Giuseppe Valia

When there are no ripples on the waters of a lake, its surface becomes almost invisible as it reflects the beauty of the landscape. Likewise, the mind still reflects the beauty of creation and merges into the bliss and peace of the divine. In the state of reckless awareness we are totally in the present moment, without wasting precious[...]
When there are no ripples on the waters of a lake, its surface becomes almost invisible as it reflects the beauty of the landscape. Likewise, the mind still reflects the beauty of creation and merges into the bliss and peace of the divine.

In the state of reckless awareness we are totally in the present moment, without wasting precious moments of life thinking about the time now past or yet to come. We begin to enjoy ourselves, our spirit, our inner beauty and the beauty of creation. We begin to enjoy existence. We can enjoy birdsong and the scent of flowers on a much deeper level because we are no longer bombarded with the useless chatter that assaults our awareness and contaminates attention, distracting us from the simple joys of existence.

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Giuseppe ValiaPigmentsGraffiti

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I have always drawn, as a child drawing was my playmate because due to allergies I often couldn't go out and play with other children. In adolescence, I began my career as a graffiti artist, starting to[...]

I have always drawn, as a child drawing was my playmate because due to allergies I often couldn't go out and play with other children. In adolescence, I began my career as a graffiti artist, starting to paint large walls and then moving on to the pure and raw train-bombing (painstakingly painting the subway lines). I continued to do graffiti until the age of 25 until I saw everything blue. My work is the mental synthesis of what I live, feel, see. My technique is mixed and consists of spray cans with cement, oil, acrylics, inks, the canvas itself or the wood that make up the painting. Through all these means I express my painting as I use them composing and using them all together. This can be seen from the scratches, holes, tears and patches present in almost every one of my canvases. In fact, he is stronger than me; I have to force the support on which I paint to "do" what I want at any cost.

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