Victor Espinosa (Bong Espinosa)
17 artworks by Victor Espinosa (Bong Espinosa) (Selection)
Download as PDFArtworks done in Vermont Studio Center • 17 artworks
This was again evident in his appropriated body of works from the Book Illustration project commissioned[...]
This was again evident in his appropriated body of works from the Book Illustration project commissioned by Tricom in late 2006, which will soon be published relative to his studio and residency works in Vermont. Upon completion, it will be scheduled for a series of expositions here and abroad as part of its project implementation. Bringing the traditional images and the rare stories of the tribal minorities in the outside world as approved by the VSC will be the expected results for social awareness so that generations may know their ancestral practices, existence, systems, culture and their knowledge.
Remarkably, the artist's body of ethnic-inspired works is no stranger to both local and international art scenes. His sterling performing as finalist in the International Symbolist Juried Art Show in Canada paved the way for him to break into the global arena in 2002.
His repeated inclusion in the Internet International Art and Photo Contests in Japan on 2003 and 2004, respectively, further poised him for more artistic accomplishments worldwide. Among them are: Phases of Eve, where he was chosen from among 40 emerging international artists; Beyond the Barrelman Juried International Show, wherein two of his artworks were exhibited in Chicago, USA in 2005. The following year, his works were showcased in "Time Frames," a cross-culture exhibit in Washington, DC. Just last year, his artwork "Daba-daba" was published and circulated globally in Artwanted and Artslam table calendar.
His 2008 year-ender participation to the North America Small Works exhibition and ongoing online juried competition has ended late December, adding yet another feather in his cap. After his stint in Vermont, Espinosa is scheduled to stage his first US solo exhibition in New Jersey, upon the invitation of an education technocrat, Dr. Loretta Osakwe, former chairperson of the New Jersey Institute of Technology.
From March 30 to April 25, Espinosa will experience more than the blooms of spring when he joins over 600 artists in creative exchanges with such potent media in painting, sculpture, and writing. He will put on map Davao's artistic fare as other artists, from all corners of the world, put their acts and newfound visions together.
Espinosa's brave visions have matured in time and have enriched with immersions and experiences in the real life setting among indigenous communities in Mindanao. It was further expressed in the global culture with his previous and recent exposure trips in USA, specifically New York, modern art capitol of North America
Remarkably, the artist's body of ethnic-inspired works is no stranger to both local and international art scenes. His sterling performing as finalist in the International Symbolist Juried Art Show in Canada paved the way for him to break into the global arena in 2002.
His repeated inclusion in the Internet International Art and Photo Contests in Japan on 2003 and 2004, respectively, further poised him for more artistic accomplishments worldwide. Among them are: Phases of Eve, where he was chosen from among 40 emerging international artists; Beyond the Barrelman Juried International Show, wherein two of his artworks were exhibited in Chicago, USA in 2005. The following year, his works were showcased in "Time Frames," a cross-culture exhibit in Washington, DC. Just last year, his artwork "Daba-daba" was published and circulated globally in Artwanted and Artslam table calendar.
His 2008 year-ender participation to the North America Small Works exhibition and ongoing online juried competition has ended late December, adding yet another feather in his cap. After his stint in Vermont, Espinosa is scheduled to stage his first US solo exhibition in New Jersey, upon the invitation of an education technocrat, Dr. Loretta Osakwe, former chairperson of the New Jersey Institute of Technology.
From March 30 to April 25, Espinosa will experience more than the blooms of spring when he joins over 600 artists in creative exchanges with such potent media in painting, sculpture, and writing. He will put on map Davao's artistic fare as other artists, from all corners of the world, put their acts and newfound visions together.
Espinosa's brave visions have matured in time and have enriched with immersions and experiences in the real life setting among indigenous communities in Mindanao. It was further expressed in the global culture with his previous and recent exposure trips in USA, specifically New York, modern art capitol of North America
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On Request
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