Lease Paintings by Olga Shagina

Lease artwork "The Road" by Olga Shagina with an option to purchase

Paintings by Olga Shagina are available for lease with purchase option

Painting titled "The Road" by Olga Shagina, Original Artwork, Oil
The Road
Painting by Olga Shagina - 39.4x47.2 in
$4,131.04

Select your monthly installments:

Monthly installments
€358.96
Residual value
€116.28
Tax Savings
€1,329.81
Total Cost
€3,453
Monthly installments
€203.42
Residual value
€116.28
Tax Savings
€1,391.37
Total Cost
€3,607
Monthly installments
€147.31
Residual value
€116.28
Tax Savings
€1,511.36
Total Cost
€3,908
Monthly installments
€115.66
Residual value
€116.28
Tax Savings
€1,582.32
Total Cost
€4,086
* This is an indicative simulation only. A contractual proposal will be sent to you after study of your supporting documents and validation of your file by our financial partner.

Leasing information request "The Road"

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Frequently Asked Questions

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

More info

The Road
Painting by Olga Shagina - 39.4x47.2 in
Painting titled "The Road" by Olga Shagina, Original Artwork, Oil

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In January 1980 a ten year old ballet student in the Moscow Hall of Young Pioneers was peering through the keyhole of the sculpture class when someone opened the door and caught her a fearsome blow to the forehead.[...]

In January 1980 a ten year old ballet student in the Moscow Hall of Young Pioneers was peering through the keyhole of the sculpture class when someone opened the door and caught her a fearsome blow to the forehead. The teacher, worried that on the next occasion she might be knocked senseless, told her "If you want to learn art, you had better do it on this side of the door". And thus began the art career of Olga Shagina; first at the Pioneer hall, then at Moscow's Children's Art school Number One and private studios. Every day after school she attended extra-curricular art classes at one or another institute and on some days more then one. This regime continued after school to the age of 16 and after work from the age of 16 to 18. All this was in preparation to enter the famous Stroganov Art Institute which generally required preparatory training at a special school from the age of 6. Four years had been lost and somehow had to be regained. She gained admittance (having first spent two years employed in the Institute library) to the faculty of Art Restoration. Training in the Institute comprised Theory of Restoration, Practical Restoration, Drawing, Painting, Composition, Art History, Chemistry, History of Ornament and Iconography. Two thirds of this study was spent on drawing and painting and, as Olga puts it with suitable ambiguity "I had such a wonderful teacher of painting that I gave up everything else".

Olga excelled at the Institute. Early training in Mathematics and Philosophy and an interest in archeology gave her a fresh approach to art, not altogether conventional and not altogether popular at the Faculty of Restoration. It soon became clear that Olga's interest in painting was not for the purposes of restoration and the faculty became worried that one of their flock was definitely a black sheep. "They were unhappy with the direction of my mind."

Already at 19 Olga had had a number of exhibitions, first with friends, and then alone. Painting became her life, she painted day and night, led an almost monastic life and exhibited when she got hungry. Living space, let alone studio space, was hard to find and she lived for a time on the rooftop of a student hostel. Eventually crafty dealers were finding buyers in Tokyo, Los Angeles and Bonn and Olga enjoyed a period of affluence unknown to friends and family in Moscow.

Olga Shagina does not talk much about her work, "It is like music" she explains, "or love, you can't explain it with words, you can only experience it."

Still, the art critic must try. So one tries to corner her with questions about who influenced her, what was in her mind at the time of painting, who did she most admire.

"In the beginning I, like all art students, tried to become proficient at making on canvas realistic representation of real objects; first a piece of fruit, and pot, and piece of material; then more difficult 'still lifes' with more difficult subjects like sculpture heads, real heads, figur...

The Artist was highlighted in an article in Artmajeur Magazine:

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