Lease artwork "Keyboard, Finger, String" by Evaldo Amatizi with an option to purchase
Paintings by Evaldo Amatizi are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Amatizi Evaldo was born in 1975 in Rome but of Marche origin.
In the first years of carefree life, he fed infinitely on continuous backward journeys, from the city of Rome, to his native country, in the province of Ascoli Piceno, during the holidays of his parents: simple state employees who never let him miss anything.
Woods, healthy living, simple games, were a watershed between a city life and a country life. But also tales of a past life. Tales of grandparents told how the Germans blew up the bridge of the neighboring country or when they fled to Rome on foot walking at night to escape enemy planes. Stories that gave a time and a soul to everything around him in childhood.
So was his life for all elementary schools. Always a watershed between the real world made of tasks and duties and games where time no longer had fixed rules. More than spending the days playing ball with his teammates, time often spent isolating himself in a world of his own that, in time, would become his real home.
An imaginary place to live and breathe.
As self-taught, some results have been seen. In fact, in 1999 he distinguished himself with the "Moscow" prize for literature by writing "illusory disappointments" a small monologue dedicated to the relationship that ended badly with a woman. You could write beautiful things and suffer like a dog: the two moods coexisting in one body.
In 2001 he decided to enroll in the illustration academy. But only after much hesitation, and years spent as self-taught.
Anyway, we needed a confrontation to move forward. New techniques to discover, fears to set aside or cover with a layer of paint.
He attended "The Academy of Illustration" from 2001 to 2004. the exercises were constant and the technique was not lacking.
The idea of the constant moving line is something of futurists and you can read it, another thing is to live it on your shoulders. When images come alive, lines become the true backbone of a visual language.
From 2008, he spent two days a week collaborating with the art gallery "Cassiopea"
With the Cassiopea we were doing the preparation of paintings and the creation of flyers.
Design exhibitions for which he has also participated in several of these.
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Nationality:
ITALY
- Date of birth : 1975
- Artistic domains:
- Groups: Contemporary Italian Artists
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