Lease artwork "Estrutura #6" by Alberto Simões De Almeida with an option to purchase
Sculptures by Alberto Simões De Almeida are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Formation:
In the Studio: Postwar Abstract Painting, at the Museum of Modern Art in New York (MoMA)
Modern art & Ideas, at MoMA
Postgraduate degree in Multimedia Educational Communication, at Universidade Aberta, in Lisbon; this postgraduate course included training in "Semiotics of visual representations"
Painting course, at the National Society of Fine Arts, in Lisbon
Course “Themes of Aesthetics and Theories of Contemporary Art”, at the National Society of Fine Arts
Professionalization as a secondary school mathematics teacher, at Colégio S. João de Brito, in Lisbon
Degree in Electrotechnical Engineering, at Instituto Superior Técnico, in Lisbon.
Biography:
My first contact with art was in the discipline of History, at the age of 14/15, when studying the Assyrian, Greek and Roman civilizations. The sight of the sculptures of these civilizations and mainly of a photograph of “The victory of Samotrácia” marked me deeply.
But I always felt like an observer, being active in organizing plastic arts exhibitions, namely my partner, Ana Cassiano.
In 1999, I decided to attend a theoretical course “Themes of Aesthetics and Theories of Contemporary Art”, whose professor Dr. David Lopes awoke in me the need to create, to do. For the next three years, I took the Painting Course, but, not satisfied with painting, I started seeing sculptors and doing things! ...
I'm a late artist. I always had to combine professional activity with artistic activity, but I kept walking, and I'm still walking!
Profile:
I think that art should be considered by itself, painting should be "painting", sculpture should be "sculpting", in line with the objectives of the New York School's abstract expressionism. To decide in advance what I am going to do, I think it would be to restrict my freedom to create in the beginning, to limit the infinite capacity to be surprised.
Many of my projects have a common denominator that I fully assume because these movements synthesized my thinking: I am talking about suprematism, constructivism, minimalism, abstract expressionism.
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Nationality:
PORTUGAL
- Date of birth : 1952
- Artistic domains:
- Groups: Contemporary Portuguese Artists
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