Painting titled "Tableau du 21 Septe…" by Louis-Victor Frémont, Original Artwork, Acrylic

Tableau du 21 Septembre 2014 Painting by Louis-Victor Frémont

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Original Artwork Painting, Acrylic on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 35in, Width 1in
Categories Paintings under $5,000 Abstract

Réalisé au mois de Septembre 2014. Pièce unique vendue avec un certificat d'authenticité. Oeuvre visible gratuitement sur l'île de la Réunion (974). Toile 100% lin et châssis à clefs en bois massif. Me contacter pour plus d'information. Artistiquement •Louis-Victor•

Louis-Victor Frémont

Réunion

Louis-Victor Frémont is a 30-year-old self-taught painter living in Reunion. Born July 23, 1992. He is from Lisieux (Calvados, 14). _______________ It was during his adolescence that he turned[...]

Louis-Victor Frémont is a 30-year-old self-taught painter living in Reunion. Born July 23, 1992. He is from Lisieux (Calvados, 14).

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It was during his adolescence that he turned to Street Art by initiation. He began to do graffiti in disused factories around his home, which he frequented regularly.

His studies ended very early.

Louis-Victor had a lot of trouble to follow the imposed courses, he is full of daydreams. He no longer finds his place there and his school career ends with a definitive exclusion.

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It's the beginning of a very dark period.

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Between argument and rejection , Louis-Victor's daydreams turn into nightmares and his works become the external reflection of an inner malaise.

Room to vandalism.

Hard blows in his environment follow one another and the Graff will stop around unhealthy frequentations which will cut him off from his creativity...

Then in February 2012 he arrives in Reunion.

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New earth, new vibrations.

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The change will be profound.

After seeing the work of Pierre Soulages, he finds himself strongly attracted by the power of the play of shadow and light through matt and shiny paint compositions calling on the deepest parts of his being.

Then he sees the works of Pierre Fava and will retain the importance of the balance being done by a touch of color which will influence the feeling of the spectator.

Moreover, Pierre Fava will send a personal message of support to Louis-Victor.

Pierre Soulages and Pierre Fava are the two new stones that will allow him to rebuild artistically.

Louis-Victor now uses new techniques to create emotion.

His goal is to create a subtle and direct hook in the person who sees his works.