Not For Sale
Seller Christian Battini
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1233 px | ||
|
1500 px |
| Dimensions of the file (px) | 1233x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 31.5in, Width 25.6in
- Framing This artwork is not framed
- Categories Paintings under $1,000 Surrealism
.
.
Basile fixait le vide droit devant lui. Il distinguait au loin des étoiles. Leurs clartés s’affaiblissaient, puis disparaissaient, pour réapparaître plus éclatantes encore. ..
.
.
.
On eût dit, des lustres luminescents et vacillants composés de mille étincelles..
.
.
.
Un soleil parfois, jouant à cache cache derrière des planètes, le submergeait de sa lumière froide. .
.
.
.
Sans émotions, sans troubles, Basile était impassible à ce spectacle. Il arpentait le vide sidéral, d’un corps céleste à un autre, désespéré de trouver une planète d’attache, d’atteindre sa terre promise..
.
.
.
L’engin augmentait sa vitesse, à mesure que Basile intensifiait la poussée du moteur à pédales supra moto ring. Il était très satisfait d’avoir investie dans le système dernier cri de la technologie des coulisses à grenailles. .
.
.
.
C'était à peine si de temps à autre se formait un léger balancement sur le carénage de la machine. .
.
.
.
Les éphémères clartés des astres célestes, maculaient le vide cosmique d'éclats colorés. Malgré cela, le voyage était triste et monotone.
.
.
.
«Je ne conseillerai pas le coin aux touristes, ni aux amateurs de paysages singuliers… cela manque de charme» se dit il.
Soudain il stoppa l’engin. Il tira de la poche intérieur de sa combinaison, une petite carte en acier transparent, munie d'une boussole intégrée à filaments plasmatiques. Il la déploya devant lui.
«Voyons, je suis ici dans la nébuleuse de nicobeur et suivant les indications du guide du parfait voyageur cosmique, je dois embrayer sur l’étoile deuMayre»..
.
.
Il fixa le vide devant lui. Il visa de son doigt une lointaine nébuleuse.
.
.
.
.
«Allez, en route».
.
.
.
.
.
.
.
.
.
.
Related themes
I was born in 1957 in Créteil (France). As long as I can recall, I've always drawn, painted, before my first rattle, I think it does.
My father passed on his passion. He intended to become a painter (this may explain it). WW2 decided otherwise and talent turned into a hobby.
The School of Plastic Arts of Choisy and workshops of Fine Arts in Paris allowed me to refine my technique.
To be honest, I saw my passion now, and I refined, I finally improves ... I hope.
-
Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
See more from Christian Battini
