Dilara Gürler Sahin
Artist; While leaving the being in its own freedom, it also aims to transfer it to the surface in the rush of being able to contain it.
1999-1996 - He completed his master's degree with his thesis on "Visual Reflection of Existential Philosophy" from Atatürk University Social Sciences Institute Painting Department.
1992-1996 -He graduated from Atatürk University Kazım Karabekir Education Faculty Painting and Craft Teaching Department with his thesis named "Folkloric Elements in Turkish Painting Art".
He participated in 20 group exhibitions in Ankara, Istanbul, Izmir and Erzurum and opened 4 personal exhibitions.
Since 2010, he has been the vice president of the "Fon Art Group" organizations.
ARTISTIC ACTIVITIES:
CATALOGS OF HIS WORKS:
2013-Fon Sanat "Expressionists Catalogue"
2012- "Fon Art Contemporary Arts Catalogue" study.
2011- ‘‘ Sesan International Artists Catalogue
2006--"Women and Tolerance" Group Exhibition Catalog
EXHIBITIONS:
2020- Virtual exhibition on the theme We are Repelling the Virus.
2020- Painting competition on "About Human" organized by Rotary International, District 2430. ANKARA
2011-Fund Art Contemporary Arts Mix'' ANKARA
2011-''Republican Exhibition'' ANKARA
2011- Participated in the International İzmir Art Biennial.
2011-Invited to the "International Florence Art Biennial".
2011-"Fon Art 1st National Group" Group Painting Exhibition .TEKİRDAĞ
2010-''Welcome to Spring -2/ April'' Group Painting Exhibition ANKARA
2010- "Welcome to Spring -1/ March "" Group Painting Exhibition ANKARA
2010- "International Women's Day" Group Painting Exhibition ISTANBUL
2008-''Street Exhibition'' Solo Painting Exhibition EDİRNE/ Enez
2006-"Women and Tolerance" Group Exhibition, A.Ü. Art gallery. ERZURUM
2002-“Subjective Formations” Solo Exhibition, Tufan Cafe, ERZURUM
1999- Solo Painting Exhibition, A. Ü. Art Gallery, ERZURUM
1999-A.U. G.S.F. "Workshop Exhibition" Group Painting Exhibition, A.Ü.G.S.F. Exhibition Hall, ERZURUM
1999-A.U. G.S.F. "Support to Kosovo" Group Painting Exhibition, A.Ü.G.S.F. Exhibition Hall, ERZURUM
1997-Erzurum Governorship "Helping Martyrs' Families" Painting Exhibition, State Fine Arts Gallery, ERZURUM
1997- “Stress-Creation” Solo Exhibition, Vehip Atalay Art Gallery, ERZURUM
1996- Atatürk University, Kazım Karabekir Faculty of Education, “Graduation Exhibition”, ERZURUM
1995-“Group Alternative” Group Painting Exhibition, Hemşin Patisserie, ERZURUM
1994- Kazım Karabekir Educ. fac. “Turkish Elders” Group Painting Exhibition, Double Minaret Madrasa, ERZURUM
1993-“Art and Craft Education Department Group Painting Exhibition”, K. K.E. F. Exhibition Hall, ERZURUM
SCIENTIFIC ACTIVITIES:
ARTICLE / SEMINARS: 1998-“Picture Art Activities in the First Years of the Republic”, Journal of A.U. Fine Arts Institute, P:4, pp: 91-98, ERZURUM
1997-“Art and Politics” Journal of the Faculty of Arts and Sciences, Department of Philosophy, p:? ,p: ?, ERZURUM
2000-''Existential Themes in Bacon's Paintings.'' Article study.
2000-''The Problem of Existence in Art'' article study.
2017_ “Theories Directing Art” is an unpublished book study.
Discover contemporary artworks by Dilara Gürler Sahin, browse recent artworks and buy online. Categories: contemporary turkish artists. Artistic domains: Drawing, Painting. Account type: Artist , member since 2011 (Country of origin Türkiye). Buy Dilara Gürler Sahin's latest works on Artmajeur: Discover great art by contemporary artist Dilara Gürler Sahin. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
DENETLEYEMEDİĞİM İMGE ve GÖSTERGELER • 17 artworks
View all5 • 13 artworks
View all1 • 24 artworks
View allPARÇA-BÜTÜN • 39 artworks
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“Yapıtlarımda; düşünceyle düşünülen şey arasında var olmaya koşullanan yaşamsal olguları bir araya getirmeyi[...]
“Yapıtlarımda; düşünceyle düşünülen şey arasında var olmaya koşullanan yaşamsal olguları bir araya getirmeyi amaçlamaktayım. Kullandığım analitik dil gerçekliği hem kurgulayıcı hem de parçalayıcı bir üslupla biçimlenmektedir.”
TETHERED - CORD • 13 artworks
View all4 • 8 artworks
View all3 • 15 artworks
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dışavurumcu çalışmalar
2 • 12 artworks
View allRecognition
Professional Artist
Exercises the profession of artist as a main activity
Exercises the profession of artist as a main activity
Biography
1999-1996 - He completed his master's degree with his thesis on "Visual Reflection of Existential Philosophy" from Atatürk University Social Sciences Institute Painting Department.
1992-1996 -He graduated from Atatürk University Kazım Karabekir Education Faculty Painting and Craft Teaching Department with his thesis named "Folkloric Elements in Turkish Painting Art".
He participated in 20 group exhibitions in Ankara, Istanbul, Izmir and Erzurum and opened 4 personal exhibitions.
Since 2010, he has been the vice president of the "Fon Art Group" organizations.
ARTISTIC ACTIVITIES:
CATALOGS OF HIS WORKS:
2013-Fon Sanat "Expressionists Catalogue"
2012- "Fon Art Contemporary Arts Catalogue" study.
2011- ‘‘ Sesan International Artists Catalogue
2006--"Women and Tolerance" Group Exhibition Catalog
EXHIBITIONS:
2020- Virtual exhibition on the theme We are Repelling the Virus.
2020- Painting competition on "About Human" organized by Rotary International, District 2430. ANKARA
2011-Fund Art Contemporary Arts Mix'' ANKARA
2011-''Republican Exhibition'' ANKARA
2011- Participated in the International İzmir Art Biennial.
2011-Invited to the "International Florence Art Biennial".
2011-"Fon Art 1st National Group" Group Painting Exhibition .TEKİRDAĞ
2010-''Welcome to Spring -2/ April'' Group Painting Exhibition ANKARA
2010- "Welcome to Spring -1/ March "" Group Painting Exhibition ANKARA
2010- "International Women's Day" Group Painting Exhibition ISTANBUL
2008-''Street Exhibition'' Solo Painting Exhibition EDİRNE/ Enez
2006-"Women and Tolerance" Group Exhibition, A.Ü. Art gallery. ERZURUM
2002-“Subjective Formations” Solo Exhibition, Tufan Cafe, ERZURUM
1999- Solo Painting Exhibition, A. Ü. Art Gallery, ERZURUM
1999-A.U. G.S.F. "Workshop Exhibition" Group Painting Exhibition, A.Ü.G.S.F. Exhibition Hall, ERZURUM
1999-A.U. G.S.F. "Support to Kosovo" Group Painting Exhibition, A.Ü.G.S.F. Exhibition Hall, ERZURUM
1997-Erzurum Governorship "Helping Martyrs' Families" Painting Exhibition, State Fine Arts Gallery, ERZURUM
1997- “Stress-Creation” Solo Exhibition, Vehip Atalay Art Gallery, ERZURUM
1996- Atatürk University, Kazım Karabekir Faculty of Education, “Graduation Exhibition”, ERZURUM
1995-“Group Alternative” Group Painting Exhibition, Hemşin Patisserie, ERZURUM
1994- Kazım Karabekir Educ. fac. “Turkish Elders” Group Painting Exhibition, Double Minaret Madrasa, ERZURUM
1993-“Art and Craft Education Department Group Painting Exhibition”, K. K.E. F. Exhibition Hall, ERZURUM
SCIENTIFIC ACTIVITIES:
ARTICLE / SEMINARS: 1998-“Picture Art Activities in the First Years of the Republic”, Journal of A.U. Fine Arts Institute, P:4, pp: 91-98, ERZURUM
1997-“Art and Politics” Journal of the Faculty of Arts and Sciences, Department of Philosophy, p:? ,p: ?, ERZURUM
2000-''Existential Themes in Bacon's Paintings.'' Article study.
2000-''The Problem of Existence in Art'' article study.
2017_ “Theories Directing Art” is an unpublished book study.
- Nationality: TÜRKIYE
- Date of birth : 1974
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Turkish Artists
Influences
Education
1992 - 1999
ATATÜRK ÜNV. LİSANS VE YÜKSEK LİSANS
Türkiye
Artist value certified
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Activity on Artmajeur
Last modification date : Sep 22, 2024
(Member since 2011)
Image views: 54,009
Artworks by Dilara Gürler Sahin added to favorite collections: 88
Latest News
All the latest news from contemporary artist Dilara Gürler Sahin
Added Jan 9, 2022
Process in Creativity
"Structurally, the work of art, which shows the order of unity in the multitude, brings the unseen in the real world into existence by adding character to the coincidental on the level of internal consistency and logic.”
For an artist, the creative process does not involve a predetermined, determined moment, week or day. The artist is not disconnected from art in his daily life anyway. While fulfilling the requirements of daily life; sometimes subconsciously, sometimes consciously, it is intertwined with its production. In addition to creating his work with the experiences of the artist from his daily life; constantly makes trial and error in the way of mastering. This work activity can take the form of drafts, sketches, note-taking, or just reflection. In this context, there is no sudden inspiration for any artist; but there are environmental influences and experiences. While the artist masters by developing his skills with the layers created by these accumulations; He also knows that not every production he makes is art. The drafts of the artist sometimes form an infrastructure on the work to be created in terms of practice and sometimes research. In the artist's working and experimental stage, form and content constantly clash until they are optimal on the surface or in the mind. This struggle is a rush to externalize the artist's message with the most correct method. When form and content match and complement each other, a work of art emerges. Sometimes, the artist may not proceed from the path he originally set out during the creation phase, or it may be seen that involuntary effects (such as the character or the hero of the novel) appear on the surface after the work is completed. This situation sometimes arises from the surface and sometimes from the inadequacy of the means of expression. Kagan expresses the situation in his book “Lessons in Aesthetics and Art” as follows: “This is what happened with Stephan Rasin for Surkov; While the artist was working on the painting, he removed the type of Persian sultan from the painting because he eliminated the idea of epic heroism and turned it into an anecdote.”[1] (We can see a similar action in many creation stages.) and sometimes, on the contrary, a spot, form, line that appears on the surface instantly and involuntarily. or the color may contribute to the content of the picture.
However, an artist's work is never completely finished. Therefore, the artist is always face to face with the awareness of the 'essential' in his work. While this impermanence conditions him to produce new works; He knows that it is he who will decide where the work he produces will end. In the meantime, the artist should not fall into the trap of the form and repeat himself just because he has been approved by the society or was originally conceived as such.
In a work of art, the content, the essence is always dynamic and the artist should be able to carry this movement into form. If a work of art; if it cannot produce information about its own ideological status, cannot connect with a fact; it cannot reveal a theoretical aspect and cannot escape from being mimetic.
If a painting reveals itself only with the power and beauty of paint without creating any mental scope on the surface, it becomes an ornamental consumption object instead of gaining an -artistic-value.
While creating the language he uses at the artist level, he should bring to the fore only a fact or an element in the technical sense. In a work where all the elements offset each other in the most perfect way, shouting elements (such as the shopkeepers in the market place) will render the work worthless. The ability of a master artist to create an original style only depends on his ability to choose the valuable one among the elements.
The more the artist includes and diversifies the intertwined patterns in his work, the richer the work becomes. However, this confusion should be brought to the purest form in which interests and relations are presented as a whole.
The artwork, which structurally shows the order of unity in multiplicity, brings into existence the invisible in the real world, by adding character to the coincidental on the level of internal consistency and logic.
On the other hand, once the work of art is shared, it becomes a cultural act of the society, not the artist.
The artist's presentation of his work does not consist of memorized patterns like the 'work' of a craftsman or any producer. Although the artist needs some techniques and methods according to the structure of the material he uses during his education, when he embarks on an original creation, he leaves all the techniques, ways and methods he knows aside; aims to go beyond them. This job is not as easy as it seems.
[1] KAGAN,M; Estetik ve Sanat Dersleri, İmge Kitapevi, Çev.Aziz Çalışlar, s.418
Added Jan 7, 2022
Yapıt
"Kimi zaman sanat yapıtları yaşamın içindeki kavram, olay ve olguları bize anlaşılması güç biçimlerde öğretirler ancak; bu zorlu öğretiyi ortaya koyabilmenin başarısı estetik bir değer olarak yapıtta kendini gösterir."
Added Oct 12, 2021
TO NOTHING....
SOMETIMES I SHOULD BE NEVER;
ON THE LIMIT OF HARD TIMES
TO BE NOTHING BUT SELFISH......TO BE NOTHING WITH THE CONSCIOUSNESS OF YOUR NEVER.
WATCHING YOURSELF IN THE TRANSPARENT NONE AS A NONE,
KNOW WHAT HAPPENED!
IT'S SELFISTIC TO BE EVER WITHOUT WITHDRAWING FROM THE WORLD....
OR DO YOU EVER BE BACK BY FEELING YOUR BODY?
IT IS NOT THE ISSUE OR NOT;
NEVER BEING ITSELF...........
H.DİLARA GÜRLER ŞAHİN
November /2020
Added Oct 12, 2021
WHAT IS ART?
The artist's desire to reach the ideal form he wants to create results in the birth of the work. In accordance with the technique transferred to the surface, art is the effect that emerges with the clumsy quests and moments of "possibility" being fixed and materialized from time to time. The person who wants to make humanity taste this flurry of existence between "being" and "not being" is an artist.
Reviews and comments
Many thanks Dilara. Wishing you a creative and enjoyable 2024. Kind regards Helen
Thank you for your recent encouraging remark on my recent news page. Kind regards Helen
Merhaba Dilara. Çalışmalarımdan birini bu koleksiyonda görmek keyif verici. Esenlikle. Hakan Portakal.
Koleksiyonumun değerli çalışmalarla zenginleşmesi benim için de çok kıymetli Hakan Portakal. İyi çalışmalar diliyorum.
Resimlerinizdeki bulduğum güçlü ifade hoşuma gidiyor sevgili Helen. Başarılar diliyorum.
Thank you once again Dilara. I really like your collection and always enjoy discovering new exciting artists.
Hello again Dilara, Thank you for your remarks on my two collages recently posted on my profile gallery. I much appreciate you sensitive and pertinent interpretation as it's exactly how I feel about trees and forests. Many thanks and bonne continuation throughout 2022.
Thanks Dilara for choosing some of my collages for your collection. I much appreciate it.
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