Alessandro Andreuccetti
The artistic career of Alexander Andreuccetti is classical, his training took place at the Faculty of Architecture and the Accademia di Belle Arti in Florence, but his passion for painting, graphic and comics has matured since his boyhood. This latter aspect is developed in parallel to painting and the artist continues to provide ongoing recognition and years of satisfaction. Among the projects underway is remarkable collaboration with the Bank of Sovicille CRAS for the implementation of several books on local history in comics, particularly suitable for spreading education. From 1978 he began painting and exhibiting in numerous personal and collective national. His early studies were focused mainly on painting watercolor technique that the artist has felt congenial to his expressive needs and preferred channels of communication through the speed, versatility and performance of typical impact of this technique. Following this initial period of Alexander's attention has shifted to looking for different expressive techniques including pastel, oil and acrylic. Knowledge of different techniques ensures a continual request for the artist who challenges himself to find a communication alive, dynamic rendering of strokes sometimes soft, long, trailing or broken and displaced. The luminosity of watercolor paper that is laid on white and gradually darken with soft fields of color that contrasts with the use of acrylic material treated with the darkness of the initial preparations, dark leaves emerge very bright with the gradual application of color . The landscapes are marked by the culmination of his research on freedom of expression, technique and color. These views are objective only for a few references to nature as the hills and cypress trees that dot our countryside of Tuscany and remember, but it is only natural given the excuse for the exploration of a continuous intersection of planes that become colored spots. The eye is lost between the color zones that overlap and leave feeling balanced between objective fact and the casual. The features of landscapes macchiaioli almost seem to dissolve in the soft watercolor tones that destroy the forms. The objective reality is the primary inspiration for the artist, pinning a glimpse, a detail kidnapped by the newspaper, a sensation in the face of natural data to analyze it later in the studio which leads to a meditative painting and filtered through a personal vision. His palette is based on the use of earthy tones such as ocher, browns, the Sienna revitalized by contrast with loads of red sunsets, the cobalt blue of the skies full of clouds and dark greens that give life to live and work dynamics. The views of autumn woods rich shades from bright reds and yellows, olive greens are the starting point for analyzing the twist of the branches, their hide and reappear in the thick shady forest, they represent a continuous stimulus for the artist who is attracted the style of writing of these forms and a rel...
Discover contemporary artworks by Alessandro Andreuccetti, browse recent artworks and buy online. Categories: contemporary italian artists. Artistic domains: Painting. Account type: Artist , member since 2006 (Country of origin Italy). Buy Alessandro Andreuccetti's latest works on Artmajeur: Discover great art by contemporary artist Alessandro Andreuccetti. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
Natura • 1 artwork
View allFigure • 15 artworks
View allTrees / Alberi • 7 artworks
View allLandscape / Paesaggi • 34 artworks
View allCityscape / Città • 5 artworks
View allArtworks 2009 • 11 artworks
View allArtworks 2008 • 11 artworks
View allPaintings 2006 • 10 artworks
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Acrilycs on canvas
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Biography
The artistic career of Alexander Andreuccetti is classical, his training took place at the Faculty of Architecture and the Accademia di Belle Arti in Florence, but his passion for painting, graphic and comics has matured since his boyhood. This latter aspect is developed in parallel to painting and the artist continues to provide ongoing recognition and years of satisfaction. Among the projects underway is remarkable collaboration with the Bank of Sovicille CRAS for the implementation of several books on local history in comics, particularly suitable for spreading education. From 1978 he began painting and exhibiting in numerous personal and collective national. His early studies were focused mainly on painting watercolor technique that the artist has felt congenial to his expressive needs and preferred channels of communication through the speed, versatility and performance of typical impact of this technique. Following this initial period of Alexander's attention has shifted to looking for different expressive techniques including pastel, oil and acrylic. Knowledge of different techniques ensures a continual request for the artist who challenges himself to find a communication alive, dynamic rendering of strokes sometimes soft, long, trailing or broken and displaced. The luminosity of watercolor paper that is laid on white and gradually darken with soft fields of color that contrasts with the use of acrylic material treated with the darkness of the initial preparations, dark leaves emerge very bright with the gradual application of color . The landscapes are marked by the culmination of his research on freedom of expression, technique and color. These views are objective only for a few references to nature as the hills and cypress trees that dot our countryside of Tuscany and remember, but it is only natural given the excuse for the exploration of a continuous intersection of planes that become colored spots. The eye is lost between the color zones that overlap and leave feeling balanced between objective fact and the casual. The features of landscapes macchiaioli almost seem to dissolve in the soft watercolor tones that destroy the forms. The objective reality is the primary inspiration for the artist, pinning a glimpse, a detail kidnapped by the newspaper, a sensation in the face of natural data to analyze it later in the studio which leads to a meditative painting and filtered through a personal vision. His palette is based on the use of earthy tones such as ocher, browns, the Sienna revitalized by contrast with loads of red sunsets, the cobalt blue of the skies full of clouds and dark greens that give life to live and work dynamics. The views of autumn woods rich shades from bright reds and yellows, olive greens are the starting point for analyzing the twist of the branches, their hide and reappear in the thick shady forest, they represent a continuous stimulus for the artist who is attracted the style of writing of these forms and a rel...
- Nationality: ITALY
- Date of birth : 1955
- Artistic domains:
- Groups: Contemporary Italian Artists
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Last modification date : Oct 26, 2023
(Member since 2006)
Image views: 75,279
Artworks by Alessandro Andreuccetti added to favorite collections: 90
Latest News
All the latest news from contemporary artist Alessandro Andreuccetti
Added Apr 12, 2015
Paesaggi Italiani
Dall’11 Aprile al 3 Maggio, all’interno del Castello Ducale di Fiano Romano, la Galleria Giuliani ha il piacere di presentare la seconda edizione della rassegna “Paesaggi Italiani”.
La mostra ripropone con forza il tema vedutista al centro della raccolta artistica della Galleria: il paesaggio italiano come rappresentazione congiunta di natura e bellezza.
Il percorso espositivo, già rilevante, è arricchito da una varietà di stili e soggetti che lo rendono ancora più affascinante e sorprendente, dando al visitatore una vera e propria esperienza di viaggio all’interno del Belpaese.
Artisti: Monika Marque – Rita Missere – Erica Lodi – Paola Meloni – Paola Carosiello – Laura Conti – Gilberto Piccinini – Maria Luisa Acciaioli – Maria Luisa Carrobbio – Angelo Dottori – Gianni Balzanella – Gabriela Szuba – Giuliana Guidi – Sonia Ricci – Alessandro Andreuccetti – Francesco Pastore – Granada – Carmen Salis – Costa – Savini – Paolo Pallara – Brunosart – Anna Vassilou – Maria Zimari – Gabriele Civeni – Antonio D’Agostino – Nuri – Flora Zornio – Francesco Mangialardi – Santo Bonasera – Gianni Colavecchi – Alfredo Troilo – Irina Konenkina – Massimo Nesti
Added Mar 20, 2010
Comunicato stampa
One of my watercolor titled Street People has been selected for the Shanghai Zhujiajiao International Watercolour Biennial Exhibition that will be held in Shanghai from next April.
I am very excited because I’ll be in the company of many international masters such as Nicholas Simmons, Alvaro Castagneto, Janine Gallizia, Carla O’Connor, David Poxon, Joseph Zbukvic and many others.
Un mio acquerello dal titolo Street People è stato selezionato per la Biennale dell’acquarello che si terrà a Shanghai dal prossimo aprile.
Sono molto emozionato perché sarò in compagnia di molti maestri internazionali quali Nicholas Simmons, Alvaro Castagnet, Janine Gallizia, Carla O’Connor, David Poxon, Joseph Zbukvic e molti altri.
I am very excited because I’ll be in the company of many international masters such as Nicholas Simmons, Alvaro Castagneto, Janine Gallizia, Carla O’Connor, David Poxon, Joseph Zbukvic and many others.
Un mio acquerello dal titolo Street People è stato selezionato per la Biennale dell’acquarello che si terrà a Shanghai dal prossimo aprile.
Sono molto emozionato perché sarò in compagnia di molti maestri internazionali quali Nicholas Simmons, Alvaro Castagnet, Janine Gallizia, Carla O’Connor, David Poxon, Joseph Zbukvic e molti altri.
Added Jun 24, 2008
13e SALON de l’AQUARELLE en LIMOUSIN
Saturday
12
July
2008
Sunday
10
August
2008
Da sabato 12 luglio a domenica 10 agosto avrà luogo il 13° Salone dell’acquarello.
Ci saranno molti artisti francesi, belgi, australiani, americani e un italiano, io.
Added May 9, 2006
Tuscany Hills
Oniriche, like a Martian dream, the Towers of San Gimignano materialize a bit the time in the fog that it wraps to them. Goodness knows what would have thought Dante in front of these colors: perhaps to the city of Dite, with its low reverberates of flame, in pagan red of its Hell. I always ask ' goodness knows what thought' or it would have said someone of the historical personages who I frequent, watching what I am watching: the things that survive, that they were 'they' and hour they are ours, consumed, rielaborate, metabolizzate, modeling the continuous one to flow of a time/sea that are left over and re-enter, cutting sea cliffs, smoothing down capes, reducing to tiny sand men and things... I asked to myself, and then do not know to answer. These roads, these ends, these forests bewitched of reverberate purpurei and violets, of acid green, these fields burnts from the fire of infinites sunsets, these summery hazes in which forgiveness the contours, tremuli in light waving of the sultriness... These same chromatic feelings others before we have perceived, before that Alexander Andreuccetti immobilized to them in intense throbbings and most personal and testified to us on thick papers, intrise of colorful and dense waters of emotions. As they will have seen ' they to them ', ours ' before’ - and then as ' they ' will be able to see others to them, ours ' after ' - the fable narrow lanes to the end of which, far away far away, are sure the house of an old fairy in attended of children to begin, or the forests where are flying in the wind sea-elf, salmastri, silent, forgotten... We are moving on background that others have thought, constructed, narrated, painted, carved, planned, demolished, re-built, in continuous changing of scene in the magical spider of screw lived and forgotten; Giotto, or Lorenzetti, or the Angelic one, have covered this same our background, the same colors that Andreuccetti imprisons in its watery net, observing the tormentosa survival of the olive three, the restless tangle of the forest with the bushes profile of the spot, soft, the femmineo one to unfold itself to hills of the clay and grass rumps; the changing one to become of the light in the order of the day, from the pearly inconsistenze of the dawn to the screziato lapis-lazuli indigo that precedes the night, or in that one of the seasons, hour sparkling spring greens, hour torpide of summery gold already screzia you of autumn, hour wood, algid of nakedness winter. Also Andreuccetti, like already the sweethearts of the ' country where the oranges bloom ', the untirings watercolorists of the Great Tour, or the English painters lost in the campaigns roman between sheep and ruins, us guide in a travel between the colors of the time in the extraordinary variety of a space to hilss where the legal profile of the borders defines with graphical artifice of the cypresses, where the greed of the possession stempera in the harmony of the shape, where the ' houses for the lord' are nearly less beautiful than those ' for worker '. Therefore its paint-brush leads to us, onlooker, between the warm ways of Saint Gimignano, red of history or nocturnal of china, tclose to the forests to butterfly leaves, in the bluesy stormy or the green infinite of the young grain fields. With its chromatics it succeeds, much better than how much it is not possible to the historian, to evoke the thickness of the time inborn in the things, their meant ucronico of compendium. Therefore thanks to the light, before between 'pieces' of the creation - also of that artistic one - it expresses the immaterial substance of the duration, the patina of becoming, the essence of the generations that that time they have crossed and lived covering the same places and watching the same colors.
Added May 9, 2006
In Regione i paesaggi di Alessandro Andreuccetti
L’artista ha esposto sedici acquarelli a Palazzo Panciatichi
Le colline toscane raffigurate dall’artista Alessandro Andreuccetti in 16 acquarelli per la prima volta sono state ospitate nelle sale del Palazzo Panciatichi a Firenze, sede del Consiglio Regionale.
La personale è legata alla natura e al paesaggio toscano che l’artista di San Gimignano, fra l’altro vignettista sui maggiori quotidiani nazionali e disegnatore di storici fumetti, ha voluto portare tra le stanze del “governo” della Toscana.
Andreuccetti ha portato una ventata di pittura dai colori naturali in una particolare rassegna di immagini di paesaggi.
Giusto il meritato riconoscimento in Ragione, dove l’artista ha lasciato una sua opera nella collezione privata della “Toscana”.
Romano Francardelli
La Nazione, 07 febbraio 2006
Added May 9, 2006
La Toscana di Andreuccetti a Palazzo Panciatichi
Il sindaco di San Gimignano Marco Lisi ha inaugurato, a Palazzo Panciatichi, la mostra di pittura “Tuscany Hills” di Alessandro Andreuccetti
La tecnica? L’acquarello su carta lavorata a mano. L’ispirazione? Dai grandi maestri del passato, come Turner e Delacroix fino ai vedutisti inglesi ed italiani dell’800. L’elaborazione? Del tutto personale alla ricerca di paesaggi e figure da amalgamare in composizioni autonome. Il filtro “toscano” è, però, la caratteristica principale delle opere di Alessandro Andreuccetti che crea tele evocanti stati d’animo e sensazioni, nelle quali luci e colori giocano un ruolo di primissimo piano prescindendo dal soggetto scelto, sia esso una pineta versiliana o una stradina di campagna. “Le colline toscane –ha detto Andreuccetti- costituiscono il mio orizzonte e la mia tavolozza , il mio territorio di “caccia” e di esplorazione, così come lo furono per tutti quegli artisti ed intellettuali girovaghi che all’epoca del ‘Grand Tour’ scendevano in Toscana per restarne innamorati”. All’inaugurazione della mostra “Tuscany Hills” sono intervenuti il presidente del Consiglio regionale Riccardo Nencini e il sindaco del Comune di San Gimignano (Si), Marco Lisi. L’esposizione rimane aperta fino al 6 febbraio. (bb)
Added May 9, 2006
Oniriche
Oniriche, like a Martian dream, the Towers of San Gimignano materialize a bit the time in the fog that it wraps to them. Goodness knows what would have thought Dante in front of these colors: perhaps to the city of Dite, with its low reverberates of flame, in pagan red of its Hell. I always ask ' goodness knows what thought' or it would have said someone of the historical personages who I frequent, watching what I am watching: the things that survive, that they were 'they' and hour they are ours, consumed, rielaborate, metabolizzate, modeling the continuous one to flow of a time/sea that are left over and re-enter, cutting sea cliffs, smoothing down capes, reducing to tiny sand men and things... I asked to myself, and then do not know to answer. These roads, these ends, these forests bewitched of reverberate purpurei and violets, of acid green, these fields burnts from the fire of infinites sunsets, these summery hazes in which forgiveness the contours, tremuli in light waving of the sultriness... These same chromatic feelings others before we have perceived, before that Alexander Andreuccetti immobilized to them in intense throbbings and most personal and testified to us on thick papers, intrise of colorful and dense waters of emotions. As they will have seen ' they to them ', ours ' before’ - and then as ' they ' will be able to see others to them, ours ' after ' - the fable narrow lanes to the end of which, far away far away, are sure the house of an old fairy in attended of children to begin, or the forests where are flying in the wind sea-elf, salmastri, silent, forgotten... We are moving on background that others have thought, constructed, narrated, painted, carved, planned, demolished, re-built, in continuous changing of scene in the magical spider of screw lived and forgotten; Giotto, or Lorenzetti, or the Angelic one, have covered this same our background, the same colors that Andreuccetti imprisons in its watery net, observing the tormentosa survival of the olive three, the restless tangle of the forest with the bushes profile of the spot, soft, the femmineo one to unfold itself to hills of the clay and grass rumps; the changing one to become of the light in the order of the day, from the pearly inconsistenze of the dawn to the screziato lapis-lazuli indigo that precedes the night, or in that one of the seasons, hour sparkling spring greens, hour torpide of summery gold already screzia you of autumn, hour wood, algid of nakedness winter. Also Andreuccetti, like already the sweethearts of the ' country where the oranges bloom ', the untirings watercolorists of the Great Tour, or the English painters lost in the campaigns roman between sheep and ruins, us guide in a travel between the colors of the time in the extraordinary variety of a space to hilss where the legal profile of the borders defines with graphical artifice of the cypresses, where the greed of the possession stempera in the harmony of the shape, where the ' houses for the lord' are nearly less beautiful than those ' for worker '. Therefore its paint-brush leads to us, onlooker, between the warm ways of Saint Gimignano, red of history or nocturnal of china, tclose to the forests to butterfly leaves, in the bluesy stormy or the green infinite of the young grain fields. With its chromatics it succeeds, much better than how much it is not possible to the historian, to evoke the thickness of the time inborn in the things, their meant ucronico of compendium. Therefore thanks to the light, before between 'pieces' of the creation - also of that artistic one - it expresses the immaterial substance of the duration, the patina of becoming, the essence of the generations that that time they have crossed and lived covering the same places and watching the same colors.
Added May 9, 2006
Mostre personali e collettive
* 1978 Solo show Daniele da Volterra Gallery, Volterra
* 1979 Solo show Ieri e Oggi Gallery, Roma
* 1983 International contest of Comics and fantasy, Prato - 1° Prize
* 2002 Illustrations for the book “L’ombra del Medioevo” di Iole Vichi Imberciadori, Ed. Titivillus
* 2003 Solo show Palazzo Pratellesi Art gallery, San Gimignano
* 2004 Collective “Certaldo in cornice” – Certaldo, Palazzo pretorio
* 2005 Comics book “L’Acqua di Siena” ed. BANCA CRAS
* 2005 Illustrations for the book “Porto Lunae Rinasce” , Ed. Media Press
* 2006 Solo show “Tuscany Hills” - Firenze, Palazzo Panciatichi
* 2006 Solo show Manzi Art gallery, San Gimignano
* 2006 Solo show Caffè Torre Guelfa, San Gimignano piazza della Cisterna
* 2006 Collective Manzi Art gallery, San Gimignano
* 2006 Collective San Gimignano-Meesburg, Meesburg, Germany
* 2007 The watercolour “Arbusti” is published on the catalogue of the Collection of Consiglio Regionale della Toscana
* 2007 Comics book “Roccastrada, storia per immagini di una terra antica” ed. BANCA CRAS
* 2007 Collective “Paesaggi metropolitani”, La Pergola Art gallery, Firenze
* 2007 Collective “Arte Sacra ieri e oggi”, Villa Baruchello, Porto Sant’Elpidio, Centro d’arte e cultura “La Tavolozza”
* 2008 Collective International Contemporary Art "GIALLO ROSSO BLU", ACCADEMIA INTERNAZIONALE SANTARITA, Torino
* 2008 13e SALON de l'AQUARELLE en LIMOUSIN, Saint-Laurent-sur-Gorre (Haute-Vienne) au Château de Feuillade
Added May 9, 2006
Article
Years ago, fascinated from this technique and the support of the hand worked paper , I began to paint to watecolor on paper inspiring to me to great masters of the past, from Turner to Delacroix until the English and Italian painters of the 800, trying to cover one my personal road in the elaboration of thematic techniques and, searching in the landscapes and the figures taken to model the shapes and the colors to amalgamate in new perfectly independent compositions.
The familiar landscape to me is designed from the sunlight of Tuscany when it is put down on the ulivi and the vines, is insinuated in the forests and illuminates the plowed fields, covers finally the thousand narrow lanes of campaign going to the infinite between beautifulst from Tuscany hills...
Through this "from Tuscany" filter I try to elaborate evocative works of states of mind and feelings, where lights and colors play a prominent role prescinding from the chosen subject, are it a pineta versiliana (than endured a magical place) or one is transformed in narrow lane of campaign (than ammanta of mystery).
Tuscany Hills constitute my horizon and mine palette, my territory of "hunting" and exploration, therefore as it they were for all those artists and intellectuals girovaghi that to the age of the "Grand Tour" they came down in Tuscany in order to remain in love from... the Tuscany hills.
Added May 9, 2006
13e SALON de l’AQUARELLE en LIMOUSIN
Da sabato 12 luglio a domenica 10 agosto avrà luogo il 13° Salone dell’acquarello.
Ci saranno molti artisti francesi, belgi, australiani, americani e un italiano, io.
Il link è:
Added May 9, 2006
Article
The artistic career of Alexander Andreuccetti is classical, his training took place at the Faculty of Architecture and the Accademia di Belle Arti in Florence, but his passion for painting, graphic and comics has matured since his boyhood. This latter aspect is developed in parallel to painting and the artist continues to provide ongoing recognition and years of satisfaction. Among the projects underway is remarkable collaboration with the Bank of Sovicille CRAS for the implementation of several books on local history in comics, particularly suitable for spreading education. From 1978 he began painting and exhibiting in numerous personal and collective national. His early studies were focused mainly on painting watercolor technique that the artist has felt congenial to his expressive needs and preferred channels of communication through the speed, versatility and performance of typical impact of this technique. Following this initial period of Alexander's attention has shifted to looking for different expressive techniques including pastel, oil and acrylic. Knowledge of different techniques ensures a continual request for the artist who challenges himself to find a communication alive, dynamic rendering of strokes sometimes soft, long, trailing or broken and displaced. The luminosity of watercolor paper that is laid on white and gradually darken with soft fields of color that contrasts with the use of acrylic material treated with the darkness of the initial preparations, dark leaves emerge very bright with the gradual application of color . The landscapes are marked by the culmination of his research on freedom of expression, technique and color. These views are objective only for a few references to nature as the hills and cypress trees that dot our countryside of Tuscany and remember, but it is only natural given the excuse for the exploration of a continuous intersection of planes that become colored spots. The eye is lost between the color zones that overlap and leave feeling balanced between objective fact and the casual. The features of landscapes macchiaioli almost seem to dissolve in the soft watercolor tones that destroy the forms. The objective reality is the primary inspiration for the artist, pinning a glimpse, a detail kidnapped by the newspaper, a sensation in the face of natural data to analyze it later in the studio which leads to a meditative painting and filtered through a personal vision. His palette is based on the use of earthy tones such as ocher, browns, the Sienna revitalized by contrast with loads of red sunsets, the cobalt blue of the skies full of clouds and dark greens that give life to live and work dynamics. The views of autumn woods rich shades from bright reds and yellows, olive greens are the starting point for analyzing the twist of the branches, their hide and reappear in the thick shady forest, they represent a continuous stimulus for the artist who is attracted the style of writing of these forms and a relentless exploration of color. The stylization of the trunks of trees blends with flecks of color that surround the making, a form of exfoliation that removes every contour. The simplification of form and style of writing clean tract in the description of tree trunks as sinuous work entitled simply "Tree", recalls the charm of Japanese prints produced between the seventeenth and the nineteenth century became the protagonists of Japonism, ie the 'influence that Japanese art had on' the West, particularly on the French artists of the mid-nineteenth century. These prints were set on two-dimensional representation, and then on the flat color and the absence of light and shade, but dynamic. In this work the curved line, simple and sinuous suggests the idea of movement. For the artist, Japan represents a horizon of art and life, is a true landmark. The calibrated gesture and thought that art creates a relationship between thought and painting. The poetry that emerges from the elegant features of the eastern masters Alexander pushes towards research felt more expressiveness and more magic that is inherent in nature. Andreuccetti observed with attention and admiration and develops this style a great deal of attention in dashed lines that enhance the strength and elegance of nature. In this research free, dynamic and sometimes informally make to counter the works where the protagonist is the design, modeling and the plasticity of the human or the horse. The shapes carved from light, snappy, and massive nerve or soft outlines and vibrant with a fresh section of charcoal or pastel, difficulty in attracting the artist and the boldness of the views offered. The modeling is the subject of works in which the color appears only minimally. The horse is perhaps the best tool for analysis of these characteristics to the internal dynamics and complexity of the encounter of forces that make it true. The vibrating movement, modeled on the powerful and elegant movements fit perfectly in the search of the artist as a kind of virtuosity, investigates the figure of the animal moves sketching lines.
Equally interesting are the studies on Bernini angels of Castel S. Angelo. The soft and delicate angels by Bernini, dashed watercolor, free of any charge of religious, are the result of an artist's interest in these creatures full of mystery. Remarkably interesting are the last watercolors Andreuccetti turned to the study of characters who populate the streets of imaginary cities. Above all, it's street musicians set in the concentration of the interpretation of a piece. The hyper-realistic component of these works is only a superficial aspect as the artist, as in the embodiment of landscape scenes, derives only from the fact that the initial starting point is not so slavishly reproduced but thoughtful and composed. Among these works, the most interesting is "Street people", a colorful and lively watercolor that with a strongly contemporary language, and captures the dynamism of a frenetic day underground classic. This work has been selected to participate in the Biennale of watercolor to be held in Shanghai next April.
The art of Andreuccetti runs in a continuous zig-zag of topics of interest within which there are space issues all'oggettualità and informal, and very often the boundary is lost and the artist gives life to a penetration and a fusion of different styles.
Added May 9, 2006
Article
Alessandro Andreuccetti è un pittore italiano e illustratore che impiega la pittura acrilica, gli acquerelli, le gouaches e l'inchiostro nel suo lavoro. Alcuni dei suoi pezzi conducono verso l'avant-guardia, ma la maggior parte della sua produzione artistica è situata all'interno della tradizionale pittura di paesaggio, di città e di persone, dove cerca di esprimersi in "nuove composizioni perfettamente indipendenti. "A mio parere, ha raggiunto il suo obiettivo, almeno per un aspetto: l'illusione di spazio e di volume, e, in tale riesame, desidero soffermarmi su come queste caratteristiche spiccano inquietante nella sua terra e immagini di città.
L'approccio creativo dell'artista alle aree vuote della superficie su cui lavora, paradossalmente, migliora la percezione di volume e di spazio nella mente e negli occhi di chi guarda. Egli propone una coinvolgente interazione tra zone attive e passive - e mi piace particolarmente l'idea di passività selettiva, in cui le porzioni quasi vuote, senza colore, svolgono un ruolo cruciale per animare le zone più scure e apparentemente più sostanziali. Questa combinazione mi ricorda in qualche modo dei negativi in fotografia, e, dopo un più attento esame, vi è infatti qualcosa di negativo fotografico in questi paesaggi. Come risultato, le sue opere d'arte possono essere visualizzate con un doppio standard - ma nel migliore dei significato della frase.
Di conseguenza, i fiori primaverili, i fitti boschi e le strutture in cemento, tutti esibiscono un rassicurante senso di stile e di tecnica. Inoltre, anche l'artista combina incapace di questi temi, l'immissione Dainty gemme vicino formidabile edifici o all'interno di profonde a livello paesaggi. Curve e pendenze, sia reale o immaginario, sottolineare ulteriormente il senso di spazio, in particolare pastorale - anche il cityscapes sembrano essere soffocata dalla crescita avvicinando, forse questo è il motivo per cui gli edifici guardare così abbandonato. D'altra parte, gli abitanti possono solo sono andati al di fuori di godere la flora, e in modo comprensibile.
Per ribadire, l'artista dimostra adroit utilizzo e profonda comprensione dello spazio, fino al punto di capacità di manipolare: per giocare e giocattoli con esso. Egli offre panorami mozzafiato con un facile lato, e con una quasi ironico, e in qualche modo sapiente tocco. Egli non affrontare il tema, ma piuttosto approcci attentamente e con certezza, come se lo spazio stesso fosse una paura e di allarme selvatici antilope; egli reti con il suo pennello e il concetto dietro. Il pittore dello stile colpisce per la leggerezza e sia gamma di composizione e solidità: è un artista universale, non solo a causa dei molteplici mezzi di informazione lavora, ma a causa di ciò che egli raggiunge con esso pure.
Reviews and comments
Une très belle harmonie colorée, aux déclinaisons bleutées... j'aime la délicatesse des touches !
How beautiful!!!...Nice coloration!!
Pittura di una bella originalità !
Una magnifica composizione !
Un lieu magique ... et une très jolie peinture
Belíssimo!!! Uma paleta incrível aliada a uma perspectiva maravilhosa, e um céu de tirar o fôlego, resultaram numa obra apaixonante, Alessandro Andreuccetti!!! AMEI!!!!!!!!!!! Visitar a sua galeria é um colírio para os olhos... Difícil é eleger um favorito!
belles couleurs , beau mélange !! j 'aime la toile !!
Good idea !! harmony in your colors !
Magnifica composizione !
Magnifici colori. Acquarello originale e molto bello.
GRAZIE PER QUESTO VIAGGIO ? Congratulazioni
Luminous autumn colors and sunlight before winter !! Lovely work
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