Selfsimilar Mondrian Squares No.2 (2022) Grafika cyfrowa / sztuka generowana cyfrowo autorstwa Dr. Matthias Kerling

Like Piet Mondrian, the Bauhaus was also intensively concerned with the primary colors red, yellow and blue. In addition, the triangle, square and circle served as primary forms at the Bauhaus. Wassiliy Kandinsky in particular, who taught at the Bauhaus between 1922 and 1933, was concerned with the properties and interpretation of colors ... and their assignment to primary forms. According to him, yellow was assigned to the triangle, red to the square and blue to the angular circle. Together, these three symbols are closely associated with the Bauhaus.

Similar to the equilateral triangle, the square also has a certain self-similarity: All four sides are the same length, all four interior angles are the same (90°), and it has four axes, each passing through the center of two opposite sides or through two opposite vertices of the square. Unlike the equilateral triangle, however, the superposition of two squares does not automatically create a new square. For this, it must be ensured that the diagonals of the two squares coincide.

The artwork is available as fine art print (paper format 50 x 50 cm, print format 40 x 40 cm) on Hahnemühle Photo Rag 308g/m2 in a Limited Edition of 25 pieces (Hahnenmühle Certificate of Authenticity) and will be signed by the artist.

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MondrianPiet MondrianSelfsimilarityBauhausKandinsky