Wave Vessel (2022) Sculpture by Ryozo Shibata

Sculpture - Ceramics, 13.8x27.6 in
$7,167.97
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One of a kind
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Sculpture, Ceramics on Other substrate
  • Dimensions Height 13.8in, Width 27.6in / 44.00 kg
  • Artwork's condition The artwork is in good condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $20,000
I made this piece so that people could feel the beauty of black lacquer and gold Maki-e. Maki-e and inlaid mother of pearl are said to have been established in the Nara Period (710 to 784). I used these techniques, which have been faithfully passed down through the generations, to skillfully create shapes and designs that are not typical of traditional[...]
I made this piece so that people could feel the beauty of black lacquer and gold Maki-e. Maki-e and inlaid mother of pearl are said to have been established in the Nara Period (710 to 784).
I used these techniques, which have been faithfully passed down through the generations, to skillfully create shapes and designs that are not typical of traditional lacquerware.

ろくろ成形で出来る同心円の形では無い形を作りたい目的で
布状のハンモックの上に板状の土を乗せ吊り下げる時に出来る
板皿に絵付けして焼き上げました。   
Automatically translated
Artist represented by Kogei Art KYOTO
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I have thought for some time that the most powerful forms resulted from the creation of natural shapes. I saw the natural curves formed by hammocks and curves made proportionately to gravity and discovered[...]

I have thought for some time that the most powerful forms resulted from the creation of natural shapes.

I saw the natural curves formed by hammocks and curves made proportionately to gravity and discovered a new technique. I think this technique creates good, effective forms.

I throw a large disk on a wheel and cut it into a rectangular shape. I adjust the shape and place it in a cloth with hangers attached to it. Then I hang the cloth in a metal frame somewhat like a hammock.

I carefully adjust the heights around the cloth so that the clay forms beautiful curves. I gave a presentation on this process in the ceramics studio at Harvard University.

The blue color on my pieces is made with Gosu, a form of cobalt. Gosu is a blue pigment used to decorate pottery from ancient times.

I carefully blend ingredients to make what I call Shibata Gosu. In my decorations, I favor using lines. I drag a needle across the clay to form lines which I fill with my blue pigment to create linear expressions.

This method creates sharp lines, which can also appear airy. To me these lines seem modern, so I use them in my pieces.

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