Royal Flamby (2023) Painting by Aurélie Quentin

  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 70.9in, Width 86.6in
  • Framing This artwork is not framed
  • Categories Figurative Portrait
Portrait de deux amis se prélassant dans un salon envahi par la végétation tropicale. Quelques détails un peu kitsh comme la table en panthère, le Flamby démoulé dans l'assiette et la couronne de galette des rois viennent trancher avec le luxe des lieux et l'attitude hautaine des protagonistes, ne laissant pas de doute quant à l'inéluctabilité[...]
Portrait de deux amis se prélassant dans un salon envahi par la végétation tropicale. Quelques détails un peu kitsh comme la table en panthère, le Flamby démoulé dans l'assiette et la couronne de galette des rois viennent trancher avec le luxe des lieux et l'attitude hautaine des protagonistes, ne laissant pas de doute quant à l'inéluctabilité d'un éclat de rire prochain des deux amis.

Portrait of two friends lounging in a living room overgrown with tropical vegetation. Some slightly kitsch details like the panther table, the Flamby unmolded on the plate and the "galette des rois" crown contrast with the luxury of the place and the haughty attitude of the protagonists, leaving no doubt as to the inevitability of an upcoming laughter from the two friends.

Related themes

ExotiqueAfriqueRéunionRoyautéAfropunk

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Aurélie Quentin, a French artist with Italian and Russian roots, was born in 1984 and spent her formative years on the tropical island of La Réunion, near South Africa.[...]

Aurélie Quentin, a French artist with Italian and Russian roots, was born in 1984 and spent her formative years on the tropical island of La Réunion, near South Africa. After obtaining a degree in Architecture in Paris, she redirected her creative expression towards painting, particularly using large figurative portraits as her canvas. Aurélie Quentin's chosen medium, oil painting, becomes a conduit for portraying a rebellious and diverse youth set against urban and often tropical backdrops.

Her work is enriched by the vibrant kaleidoscope of tropical colors, the raw intensity of light, and the delicate nuances it brings forth. Quentin's art captures the essence of everyday life, showcasing moments of leisure that are elevated and immortalized on canvas. Within her compositions, there is a subtle incongruity—a critical commentary on the standardization of taste.

Aurélie Quentin deliberately selects models that embody multiracialism, considering it the epitome of human beauty, a characteristic abundantly present in Reunion Island. Her subjects, set in "everyday life" scenes, emanate a sense of self-awareness, engaging in a dialogue with the observer. Their attitudes exude a hint of disdain and irreverence, conveying a sense of living in the moment, free from societal expectations. The nonchalant poses, though potentially perceived as provocative, serve as an homage to the comfort of the present moment, challenging outdated norms of decency.

In Quentin's artistic narrative, her characters embrace the art of doing nothing—a concept once celebrated by philosophers throughout history but now taboo in a world dominated by productivity. Her paintings serve as an allegory of unapologetic leisure, portraying a youth that defies societal pressures and embraces the simplicity of happiness. Through the strokes of her brushes, Quentin immortalizes a "state of being" that reclaims nobility for moments of idleness—the very time that births activity, innovation, and creation, allowing individuals to break free from the constraints of a productivist societal dogma.

Contemplating Aurélie Quentin's work invites viewers to reflect on the right to leisure, the right to lightness, and the value of "lost time" in a world consumed by constant motion and productivity. Her art becomes a visual manifesto, encouraging a reconsideration of the importance of embracing moments of repose and reflection in the pursuit of a more fulfilling existence.

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