通过购买选项租赁Tad Anderson的作品“ "Edge Of Pool..." (Vert) (Click Reprodu ”
Tad Anderson的画作可通过购买选项进行租赁
选择您的每月还款额：
索取租赁信息 ""Edge Of Pool..." (Vert) (Click Reprodu"
联系我们, 融资专家将在24小时内回复您：
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I am a self-taught digital artist.
I am a Minnesota native.
My observations of Minnesota/Midwestern landscape, topography, geology, prairie, woodland, farmland, lakescape, driftless landform, and architecture on the land, help to formulate almost every piece that I create.
I work in collage-layers of digital imagery, manipulating a series of elements into my compositions. Then I use my self-created hand-drawn digital brushstrokes, to craft each digital painting.
My compositions are color-filled depictions of our region’s landforms and elements. My colors are always drawn from nature... flowering elements, foliage elements, water, sky, soil, seasons of color change. I compare the color abstractions to primitive painting palettes -- extracting raw pigment colors from crushed fruits, foliage oils, indigenous minerals, clay or mud.
