通过购买选项租赁Judit Takacs的作品“ Points Of View ”
Judit Takacs的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I was born in Budapest, Hungary, in 1971, and have been living and creating art here.
I am a freelancer artist, and art teacher in my studio and online.
In 1999, I obtained an intermediate graphic designer diploma in the Krea Graphic Design School, then in 2008, an Art- and Visual Communication Teacher BA diploma in the Faculty of Art of the University of Kaposvár. Between 2009-2011, I completed 2,5 years also at University of Kaposvár, in the course Visual Representation Artist, painting major. In parallel with this, I took part in a postgraduate Art Therapy Program at the University of Pécs.
I have a deep love for traveling Being on the road, getting to know new landscapes, meeting people, exploring cities and new stories.
Painting is the same for me, a journey full with experiences, a lifelong path filled with both obstacles and wonders and beauty. It's not the destination but the journey that matters, not the arrival but the beauty or even torment experienced along the way.
This voyage can be about wandering through external landscapes, discovering new regions, exploring lights, colors, shapes, moods, and dreaming them into paint and canvas. It's a game, an exciting exploration, a passion.
But mainly, it's an inner expedition, a confrontation with the depths of the soul, where painful and uplifting revelations may occur. These insights that surface can also take form with the help of a brush. These materialized emotions can then be examined, loved or not, but they demand attention, engagement, making this journey into the inner self a path of self-discovery.
This journey of self-discovery holds equal importance for me as playing with the tangible reality of materials.
